roots rock

Tomislav Goluban, a Croatian harmonica player, collaborates with West Coast guitarist Crooked Eye Tommy on the album “Nashville Road.” The release showcases Goluban’s harmonica mastery and songwriting, with energetic contributions from Tommy. Together, they blend blues and rock influences, creating a vibrant musical experience that highlights their talent and cultural exchange.

The Owsley Stanley Foundation presents “You’re Doin’ Fine – Blues at the Boarding House,” a three-CD set featuring John Hammond’s live performance from June 2nd & 3rd, 1973. The release showcases 45 songs, demonstrating Hammond’s exceptional skills as a blues interpreter, while the inclusion of audience interactions enhances the experience.

Big Harp George’s latest album, “Big Harp George Does Christmas,” offers a unique collection of original Christmas songs blending blues and jazz. The album features clever lyrics, engaging instrumentals, and contributions from notable musicians. Big Harp George, a former lawyer turned blues artist, aims for music that can be enjoyed year-round.

The Dennis Spencer Group releases “Bluesman From Jupiter,” reflecting the tumultuous life of lead artist Dennis Spencer. The album, infused with rich narratives and blues influence, showcases themes of love, hardship, and survival across ten original tracks. It features collaborations and a blend of musical styles, capturing Spencer’s journey through highs and lows.

Corky Siegel’s “Symphonic Blues No. 6” might be his final work as a harp master, blending classical and blues elements. The recording features contributions from leading musicians and includes three main movements. Celebrating Siegel’s 80th birthday, the album showcases his adaptability in diverse musical settings, preserving his remarkable legacy.

The Hitman Blues Band’s new album “Calling Long Distance,” produced by Bob Stander, features eight original songs and four covers. Showcasing a mix of genres, standout tracks include “Edge Of The Bed,” “Folsom Prison Blues,” and “Sunday Morning Coming Down.” Russell Alexander’s unique style shines throughout, highlighting his deep NYC blues influence.

Walk That Walk is a prominent Boston blues band, rooted in Detroit and Chicago’s electric blues. They have performed over 800 shows, backing legends like Bo Diddley. Their album “Red Devil Lye” features original tunes and covers, showcasing their energetic style. Poppa C DeSynder emphasizes their passion for performance.

Blue Moon Marquee, the duo of A.J. Cardinal and Jasmine Collette from Alberta, Canada, celebrates their tenth anniversary with “New Orleans Sessions,” their sixth album. Recorded live in New Orleans, it features original compositions and historic blues. The album showcases their seamless blend of styles and strong performances, promising to earn accolades.

Alfie Smith’s “Every Rome Needs A Nero” is his eighth album, showcasing his deep voice and slide guitar talent. Released after a ten-year hiatus, it features eight original songs and two covers. Collaborating with various musicians, the album blends personal themes with blues, reflecting Smith’s artistic growth and readiness for broader recognition.

Carly Harvey, an Afro-Indigenous Blues musician from Washington, D.C., presents her debut album “Kamama.” This work blends Blues, Jazz, Soul, and Indigenous styles, highlighting her innovative “Native Scat.” Acclaimed as DC’s Queen of the Blues, Carly’s powerful performances and unique sound promise an engaging musical experience.