Moises launches AI Voice Studio, a brand new model for artist-first voice modeling Vocalists can now license their own voices and sell their models to producers and content creators DAWs (Digital Audio Workstations) like ProTools, Logic, and FL Studio have massively increased accessibility to music making. MIDI instruments, sample libraries, and plug-ins unlocked the sounds […]
Making a Scene Takes a Look at the new Studio One 5.5 Update Even with the pending acquisition of Presonus by Fender Musical Instruments, the team at Presonus is still rolling out updates to their flagship DAW “Studio One”. The new 5.5 update adds some powerful new features to their “Project Page” that will making […]
Tape Plugin Shootouts Don’t Make Sense Commonly asked questions in audio groups regarding the use of tape emulations include: “Which tape machine plugin is best?” “Which one should I reach for on my sources?” “I keep hearing that this one is better than that one, but that one always sounds best to me and I […]
HOME PAGE Making a Scene Presents an Interview with a Pro Jim Odom – Founder and Chief Strategist of PreSonus! Jim Odom attended Berklee College of Music on a scholarship from DownBeat Magazine to study jazz guitar. He also holds a B.S. in computer engineering from Louisiana State University and completed graduate studies at the […]
Building a Grammy Winning Studio When Billie Eilish won her first Grammy for “Best Pop Vocals” I was in the front row of the “Premiere Show” at the Grammys, the show that is not televised. She was, unfortunately not there to accept because she was on the Red Carpet reportedly shifting through her Swag Bag […]
You wouldn’t think of a direct box as having a certain character, unless you’ve worked in a facility that has really good character DI’s. After all, in the age of Multi-I/O converters with DI inputs, it’s easy to forget the role that a quality DI box plays. High end DI boxes were used to help […]
Many audio textbooks, audio schools, and audio engineers will advise you that it’s always best to attenuate rather than gain an EQ control. This has traditionally been considered best practice in the industry for two main reasons. With most EQs, especially analog EQs, adding gain to a band causes an audible phase shift in the […]
Amp sims, like their real world counterparts, are non-linear processes. As you increase the input level, they saturate and distort more. As you decrease the input signal, they clean up more. It’s important to remember this characteristic, as you can drastically change the response of the amp sim by adjusting the input level. Let’s start […]
A four part series on creating realistic strings with MIDI ..
Recently Boz Digital Labs released Transgressor, which is a transient designer that allows you to eq the transient and the sustain separately. This plugin seems like it was created with my workflow in mind, so when I got the chance to get a review copy I was stoked! Let me explain. I tend to […]
Gain Staging: What to know, & why you shouldn’t stress too much about it! By Brandon S Hire Noise Floor (This is a script to a video that will be included in an upcoming series on post production. I decided to make the script its own post because of the amount of confusion there is […]
3 Reasons Why Pre-Production Is Essential Steve Perrino of Compass Audio Most musicians agree that there is a huge difference between your live show and your recordings. There is a lot of energy in a live performance due to volume and visuals, but there are certain things that you need to do in a recording […]
Drum triggers. What they are, and how they work. A drum trigger is a microphone. Nothing more. It picks up the sound of the drum and sends the audio to the source. The source usually is an audio to midi converter either in the box or outside of the box, but that doesn’t have to […]
