Making a Scene’s podcast, Live from the Midnight Circus, showcases Indie Blues artists who honor traditional blues roots while innovating new music. Featuring artists like Andy Peake and Shemekia Copeland, it emphasizes the emotional depth and diversity of blues. The show promotes understanding and connection through the blues’ evolving art form.
Making a Scene presents “Turn It Up” with Gerry Casey, showcasing an array of musical talents and tracks in Show #267. Featured artists include Electric Mary, The Reverend Shaun Amos, JP Reali, Izzy Reign, and many others spanning genres from rock to blues. Notable songs include classics by Supertramp, LA Guns, and Prince.
Sarah Pierce, born in Rockford, Illinois, to a family of cattlemen, began singing in her stepfather’s band at 12. Despite her medical science degree, she pursued music, touring globally and appearing on MTV. With multiple acclaimed albums, including “Barbed Wire” and “Blessed By The West,” she remains a prominent figure in country music, gaining CMA awards and IWMA nominations.
Mavis Pan’s album “Rising” blends classical and chamber music with touches of jazz, highlighted by intricate horn and flute solos. Born in Taiwan and trained internationally, Pan offers a varied musical background. While her compositions are classical, the jazz influence is featured in certain tracks, showcasing both complexity and emotional depth.
Gerry Casey interviews Rusty Brown of Electric Mary, exploring the band’s journey following their inspiration at Jimi Hendrix’s Electric Lady Studios in 2003. From extensive Australian and European tours to releasing albums and EPs, Electric Mary returned in 2019 with their significant album “MOTHER,” showcasing their deep-rooted rock and blues heritage.
Kat Riggins, born in Miami, is a blues musician influenced by legends like Koko Taylor and Nina Simone. Her sixth album, “Revival,” co-written with Tim Mulberry, features ten original tracks blending blues, soul, and R&B. The album showcases themes of empowerment and nostalgia, highlighting Riggins’ vocal prowess and songwriting talent.
Naomi Moon Siegel’s album “Shatter the Glass Sanctuary” showcases her skills as a trombonist and composer, blending modern and free jazz with emotional depth. Each track offers unique instrumental arrangements, highlighted by contributions from her talented ensemble. Siegel’s work is influenced by personal experiences, reflecting a journey of emotional and cultural exploration. Her accolades affirm her innovative approach and contributions to jazz.
Michael Mayo’s sophomore album, “Fly,” embraces pure jazz, diverging from his jazz-infused R&B debut, “Bones.” Collaborating with notable jazz musicians, Mayo delivers a mix of originals and jazz classics. Highlights include scatting, vocalese, and family contributions, showcasing his vocal prowess and improvisational skill. His approach offers a rich, immediate, and soulful jazz journey.
Eric Person’s “Rhythm Edge,” originally released in 2007, has been remixed and reissued. This standout jazz album features Person’s Meta-Four Quartet, prominent guest artists, and diverse compositions, from high-energy post-bop to soulful ballads. With vibrant solos, contemporary infusion, and Person’s dynamic leadership, it underscores his prowess as a saxophonist and composer.
No Words ATL is a unique, community-driven 3-day instrumental music festival held across five venues in Atlanta from October 11 to 13. Showcasing twenty-two diverse performers ranging from classical to hip-hop, it offers a wordless musical experience. Headliners include Trap Jazz, Glenn Phillips, and Kebbi Williams. Tickets are $75 for three days or $30 per day.
Teri Parker’s Free Spirits, a Toronto-based jazz group formed in 2019, pays tribute to pianists Mary Lou Williams and Geri Allen. Their album features compositions by Parker and Allen, blending jazz with diverse styles. Notable tracks include “Unconditional Love” and “Survival,” with spoken word elements exploring contemporary themes. The group showcases artistic innovation and historical influences.
Vivian Buczek’s “Le Grand Michel,” due for release on October 25th, honors Michel Legrand’s compositions, showcasing her jazz flair alongside musicians like Mathias Heise and Martin Sjöstedt. Buczek’s emotive vocals shine, especially on tracks like “The Windmills of Your Mind.” The album includes both Legrand classics and an original by Peter Asplund.
Dann Zinn’s album “Two Roads” is a testament to his resilience and musical prowess, featuring collaborations with renowned musicians like Rachel Z and Omar Hakim. Despite a hand injury that required modifications to his saxophone, Zinn delivers a diverse range of compositions. The album balances intense and sensitive musical expressions, maintaining Zinn’s commitment to his craft.
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Caleb Wheeler Curtis, a versatile multi-instrumentalist, showcases his talents in two recent albums: “The True Story of Bears and the Invention of the Battery” and “Raise Four: Monk The Minimalist.” Featuring a range of saxophones and a blend of original compositions and covers, Curtis explores innovative jazz techniques, demonstrating his musicianship and distinct style.
Darius Jones, a saxophonist known for his avant-garde and experimental music, releases “Legend of e’Boi (The Hypervigilant Eye),” part of his Man’ish Boy series. This work embodies themes of Black mental health and healing, featuring a chordless saxophone trio and artistic collaborations. It’s a personal journey of overcoming trauma, highlighting Jones’ expressive horn playing and emotional depth.
Jeff Lederer’s album “Guilty!!!” offers a satirical political statement through jazz, marked by humor and intricate compositions. Addressing socio-political themes of the 2024 election year, it features chaotic electronic and instrumental elements. Emphasizing dishonest discourse, it aims to engage listeners with a live-streamed event on Election Eve, culminating in “Truth is Marching In.”
Filippo Dall’Asta, an Italian guitarist, merges modern Gypsy Jazz with unique arrangements on “The Hot Club of Tenerife” album. Featuring classic jazz standards and original compositions, the album showcases a blend of rich Romani influences and modern elements. With performances across Europe, Dall’Asta captures joyful rhythms and innovative twists in this vibrant musical collection.
In “Urban Chaos,” Nick Adema, a Canadian trombonist based in Amsterdam, explores themes of life and loss following his mother’s passing. The album features varied compositions with contributions from talented musicians, including string quartets and horns, emphasizing Adema’s trombone prowess and blending jazz with emotional depth and innovation.
Joy Clark’s album “Tell It to the Wind” highlights her journey as a Black, queer, Southern artist breaking through the music scene with support from artists like Brandi Carlile and Ani DiFranco. Produced by Margaret Becker, the album features themes of resilience, empowerment, and belonging, with a blend of gentle sonics and infectious choruses, marking Clark as an influential voice for survivors.
Hayes Carll and The Band of Heathens collaborate to create a dynamic musical experience, blending country and rock with exceptional songwriting and performances. Their debut features clever, humorous tracks marked by harmonious vocals and distinct styles, suggesting a promising partnership that could earn them supergroup status. Notably, the album highlights Carll’s artistic evolution.
Eric Bibb, son of Leon Bibb, grew up among legendary folk musicians and has released numerous albums over his career. His latest, “In The Real World,” is a collaborative effort recorded in Sweden, London, and Nashville. The album features diverse instrumentation and heartfelt lyrics, exemplifying Bibb’s enduring artistry and storytelling prowess.
“Making a Scene Presents the LIVE from the Midnight Circus podcast, featuring Chris Daniels and the Kings. This show celebrates Indie Blues artists who innovate and honor the roots of blues. It showcases diverse, original music that connects emotionally with listeners, emphasizing truth and integrity in their creations.”
Gerry Casey’s Show #266 features Sky Wood of The Blues Chapter and includes a diverse playlist. Artists span rock and blues genres with tracks from Black Sabbath, Queen, The Blues Chapter, Judas Priest, and Jon Bon Jovi among others. Highlights include classics like “Paranoid,” “Barracuda,” and “Bittersweet Symphony.”
Jared McCloud transitioned from hard rock to a solo career, adopting a more substantive musical style. He found success with his indie debut “Romance Of The Atlantic” and continued to rise with “Painful Words Of Loving Grace”. After a difficult divorce, he crowdfunded his album “To Live And Die In Your Arms”, which achieved significant acclaim.
Dharma Down Records’ debut album “Owl Dreams” features Duncan Hardy on alto saxophone/Qanun, Mike Effenberger on piano, Scott Kiefner on acoustic bass, and John Mettam on drums. The music blends American jazz with Middle Eastern and Eastern Asian influences, showcasing the diverse backgrounds of the musicians. The album, releasing on October 11, 2024, promises a global appeal with its original compositions.
Gerry Casey interviews Sky Wood from The Blues Chapter, a band with an unstoppable combination of emotionally charged blues and pulsating rock ‘n’ roll. Tune in to hear their story and enjoy four dynamic tracks that showcase their powerful musical talent. Don’t miss this electrifying episode!
Delfeayo Marsalis’ “Crescent City Jewels” is a vibrant big band album that celebrates New Orleans’ rich musical heritage. Featuring both veteran musicians and rising stars, the Uptown Jazz Orchestra delivers a joyful collection of songs blending jazz, R&B, and Creole influences. Highlights include Tonya Boyd-Cannon’s “Sleeping Bee” and a fresh take on “Ooh Poo Pah Doo.”
Daniel Pardo’s album “Ese Momento” features twelve boleros, blending classical melodicism, jazz sophistication, and Latin rhythms. Produced with pianist Sergio Pamies and the Czech National Symphony Orchestra, the album showcases Pardo’s versatile flute performance and highlights like “Como Fue,” “Sabor A Mi,” and “Bebo.” It reflects cultural diversity and musical mastery.
Chris Daniels & The Kings with Freddi Gowdy celebrate 40 years with live performances and two new albums, “40: Blues with Horns Volume II” and “BLUES WITH HORNS Volume I.” With frequent international tours and a distinguished history of collaborations, they continue to captivate audiences worldwide with their dynamic horn-driven sound.
Paul Kendall’s “Live at Vic’s Jazz Loft,” featuring a mix of live and studio recordings from early 2023, showcases Kendall’s tenor saxophone alongside Marc Neely, Patrick Poladian, Roy Cumming, Rudy Petschauer, and Dan Kostelnik. Notable tracks highlight both drummer-inclusive and drum-less performances, emphasizing Kendall’s versatility and intensity in different settings.
Ollie Owens, a Canadian singer-songwriter, returns with her second album “Nowhere To Hide” after a family-raising hiatus. Produced by Bobby Blazier, the album, featuring tracks like “Solid Ground,” “Roots,” and covers “The Neighborhood” and “Lord Protect My Child,” blends themes of resilience, love, and personal experiences.
Ben Monder’s “Planetarium” is a meticulously crafted project spanning ten years, resulting in three CDs of evocative music. It showcases a complex blend of heavenly and dark tones through layered guitars and vocal harmonies. Each disc offers unique compositions, with contributions from notable musicians, creating a profound auditory experience.
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Frédéric Viale’s eighth album, “Caméléon,” showcases his unique style on the accordion through solo performance. This album blends various genres, emphasizing his jazz influence even in traditional pieces. Viale’s mastery, improvisational skills, and emotional sincerity shine through 19 tracks, including eight original compositions and creative arrangements, making it an unforgettable experience.
Satoko Fujii’s avant jazz-rock quartet releases “Dog Days of Summer,” their first album in 18 years. Featuring bassist Takeharu Hayakawa, drummer Tatsuya Yoshida, and trumpeter Natsuki Tamura, the album blends free jazz and jazz-rock with unpredictable, volcanic energy. Each track offers dynamic, adventurous explorations of rhythm and melody.
Peter Bernstein’s new album “Better Angels,” released under Smoke Sessions Records, features a talented lineup including drummer Al Foster, pianist Brad Mehldau, and bassist Vicente Archer. The album mixes Bernstein’s original compositions with classic standards, showcasing his exceptional guitar skills and the improvisational genius of the quartet. This collaborative project highlights Bernstein’s intent to capture fresh interpretations and dynamic musical interplay.
Acclaimed pianist and composer George Burton’s album “White Noise” addresses the struggles of Black people today, calling for resistance against colonialism, caste systems, and slavery. Inspired by artists like Max Roach and Kendrick Lamar, Burton combines spoken word, jazz, and electronic music. The album features various renowned musicians and aims to raise awareness and inspire reflection.
“Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Featuring Rev Freakchild, celebrating Indie Blues artists who honor the genre’s roots while driving its evolution. Tune in for innovative, emotional, and original music from current touring musicians deeply influenced by blues tradition.”
Randall Bramblett, a seasoned musician revered for his contributions to American roots music, showcases a blend of past experiences and present reflections in his thirteenth album, Paradise Breakdown. Celebrated for his lyrical prowess, Bramblett collaborates with renowned artists, offering a mix of soulful tracks and a testament to his enduring creative spirit.
Gerry Casey’s Show #265 features guest OTIS and highlights a variety of rock and blues artists, including The Cold Stares, Myles Kennedy, Samantha Fish, and Motorhead. The playlist includes tracks like “Last Fool In The Line” by OTIS and “You Really Got Me” by Ray Davies/Metallica.
Gerry Casey interviews Boone Froggett of OTIS, a blues-based rock band from Kentucky, known for their deep musical roots in country-rock, bluegrass, gospel, and folk. Influenced by legends like Muddy Waters, they gained fame after meeting ZZ Top’s Billy F. Gibbons, leading to wider recognition and inclusion in a 2020 film soundtrack.
Gino Amato’s debut album “Latin Crossroads” showcases his talent as a bandleader and arranger, featuring Latin orchestrated versions of familiar songs. Collaborating with Oscar Hernandez, Amato integrates vocals, strings, and horns to deliver vibrant and emotional interpretations. The album displays a wide repertoire reflecting Amato’s diverse musical background and expertise.
The previously unreleased album “Grande-Terre” by Roy Hargrove’s band Crisol will be released on October 18, 2024, commemorating Hargrove’s 55th birthday. This Grammy-winning ensemble’s energetic studio session from 1998 captures their unique blend of jazz, Afro-Cuban rhythms, and funk. The first single, “Priorities,” showcases their dynamic sound.
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Michael Reynolds, former lead vocalist/songwriter for Pinmonkey, stepped away from music a decade ago but continued to write songs. His surprise return with the album “Tarnished Nickel Sky” under Blue Élan Records showcases a poetic and evocative style. This album features 11 self-penned tracks, reflecting his journey, emotions, and growth.
Ronnie Baker Brooks’ album “Blues In My DNA,” produced by Jim Gaines, marks his debut with Alligator Records. The album, featuring songs mostly written by Ronnie, showcases his dynamic guitar and vocal prowess. The tracks range from hard-rocking blues to soulful ballads, illustrating Ronnie’s deep blues roots and broad musical talent, ensuring wider recognition.
Rebecca Kilgore’s album “A Little Taste” features her seasoned vocals, paired with lush arrangements and the music of Dave Frishberg. The recording is highlighted by a talented ensemble. Kilgore’s storytelling through song, accentuated by sweeping strings and excellent musicianship, offers a swinging, easy-listening experience. The album releases October 28, 2024.
Dawn Clement, Steve Kovalcheck, and Jon Hamar form a drum-less jazz trio, presenting a nuanced blend of contemporary jazz through intricate interplay between piano, guitar, and bass. Their compositions range from soothing, moderate tempos to rhythmic Latin influences, culminating in a unique, easy-listening jazz style appreciated for its peacefulness and musical depth.
Jake Shimabukuro and Mick Fleetwood’s “Blues Experience” album showcases their collaboration, interpreting classic blues songs with an innovative touch. The album features notable tracks and contributions from renowned musicians, highlighting Shimabukuro’s ukulele prowess. Recognized globally, Jake has played with top artists and received prestigious accolades, making this album a notable release.
