Richard Baratta’s album “Looking Back” showcases his remarkable return to music with dynamic jazz arrangements of beloved hits like “I Feel Good” and “Respect.” Featuring talented musicians, Baratta’s impressive drumming drives the tracks, blending passion and creativity. After a successful film career, his musical talent shines in this engaging collection.
Making a Scene presents the “LIVE from the Midnight Circus” podcast, showcasing various Indie Blues artists who blend traditional blues with innovation. This movement honors the genre’s roots, while empowering current and future musicians. The podcast features a diverse array of songs that communicate deep emotional truths to listeners.
Patricio Morales’ album “La Tierra Canta,” featuring various musicians, showcases his classical guitar compositions rich in South American cultural influences. After relocating to the U.S., Morales rejuvenates nine timeless pieces with jazzy arrangements. The album, blending folk, jazz, and world music, highlights the purity of his musical roots and will be released on April 1, 2025.
Juan Perea, a law professor and accomplished pianist, releases his album “Lightkeeper,” showcasing his piano and compositional skills with seven original songs and two Tito Puente covers. Notable tracks include “Lylestyle,” “El Sueno,” and a tribute to McCoy Tyner. Perea aims to inspire joy through his music.
63 Deluxe, an Australian blues band formed in 2022, features Anthony Scott, Bret Hann, and Jack Thomson. They innovate within the blues genre, influenced by renowned artists. Having performed at notable events and won the ARBA Memphis Blues Challenge, they are set to release their debut album in November 2024 and compete internationally.
Rachel Therrien’s “Mi Hogar II,” her eighth album, explores Latin jazz with a vibrant ensemble. Featuring compositions like “Orun” and “Back Home,” Therrien blends traditional and contemporary jazz elements through her trumpet. The album pays tribute to Latin music pioneers while showcasing the talents of a talented group of musicians, creating a rich auditory experience.
Alto saxophonist Randall Despommier, raised in New Orleans, blends his musical education and experience in his bluesy jazz album “South.” Collaborating with top musicians from NOLA and New York, the album features familiar tunes and original compositions, showcasing his lyrical prowess and deep-rooted Crescent City influences, perfectly timed for Mardi Gras.
Helen Cronin’s third album, “Maybe New Mexico,” showcases her evolution as a singer-songwriter with softer, acoustic sounds. Collaborating with Mitch Dane and various musicians, she explores personal themes like relationships, mortality, and the environment. Highlights include the poignant “Rifleman” and reflective tracks like “Not the Year.” Cronin’s vivid lyrics reaffirm her songwriting prowess.
Bianca Rossini is a Brazilian pop singer and songwriter based in Beverly Hills, known for her engaging lyrics and relatable themes. Her first English-language album features ten well-crafted songs, highlighting her strong compositional skills. The album, co-produced by Peter Roberts, is set for worldwide release on March 5, 2025.
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Michelle Nicolle and Larry Koonse team up for “The Silent Wish,” Nicolle’s first American album. The duo showcases their chemistry through classic jazz standards and lesser-known songs, demonstrating impressive vocal and guitar interplay. Nicolle’s dynamic range and improvisational skills, paired with Koonse’s sensitive accompaniment, create a refreshingly modern jazz experience.
Caili O’Doherty’s album “Bluer Than Blue – Celebrating Lil Hardin Armstrong” features arrangements of Armstrong’s tunes, showcasing her significant yet overlooked influence on jazz. Collaborating with talented musicians, O’Doherty honors Hardin’s legacy through engaging performances of both popular and lesser-known pieces, blending rich historical context with contemporary interpretations.
The Seldom Scene, a renowned bluegrass band, celebrates over fifty years of musical evolution with their new album “Remains to Be Scene.” Featuring a mix of traditional and contemporary songs, the album honors founding member Ben Eldridge and showcases the current lineup’s talent, solidifying the band’s influential legacy in bluegrass history.
Mike Farris returns with his album The Sound of Muscle Shoals after a seven-year hiatus, featuring nine original songs and two covers. Produced by Rodney Hall, the album showcases Farris’s dynamic voice and rich instrumentation. It captures the essence of southern soul, proving to be his most accomplished work to date.
The show “Turn it Up with Gerry Casey” features a diverse lineup including Will Bart, presenting a mix of rock and blues tracks. Notable songs include “Love That’ll Never Be” and “Diamonds & Rust,” highlighting various artists like AC/DC, Neil Young, and Zakk Wylde.
Making a Scene presents the “LIVE from the Midnight Circus” podcast featuring Tomislav Goluban and Crooked Eyed Tommy, showcasing Indie Blues artists who innovate while honoring blues traditions. This movement celebrates musical diversity and emotional storytelling, empowering artists to create original music influenced by their blues heritage. Tune in to join the Indie Blues movement.
HOME PAGE Making a Scene Presents an Interview with YEV! SLAVA UKRAINE YEV’s self-titled debut album is a poignant and powerful introduction to the artist’s dynamic voice, blending cinematic folk rock, modern blues, vintage pop, and the soulful resonance of his Ukrainian heritage. Each song offers a captivating narrative that weaves haunting melodies and raw […]
NFTs offer musicians a revolutionary way to monetize their work and connect with fans by selling unique digital content, such as music tracks, behind-the-scenes footage, virtual concert tickets, and exclusive experiences. This shift allows artists to earn fair compensation and maintain control over their work, transforming the music industry landscape.
Gerry Casey interviews Will Bart of the Long Island band Johnny in the Basement, highlighting Bart’s passion for rock music and his journey. Influenced by the Roots Rock Revival event, where he connects with esteemed musicians, Bart envisions a promising future for his band, fueled by collaboration and ambition.
Mitch Ryder’s latest album “With Love,” released on February 21, 2025, showcases his enduring artistry across ten autobiographical tracks. Produced by Don Was, the album reflects Ryder’s blue-collar rock roots with themes of love, addiction, and camaraderie. Despite his long career, Ryder continues to strive for artistic growth and connection.
Making a Scene showcases an interview with Crooked Eyed Tommy about his collaboration with Croatian harmonica player Tomislav Goluban. Supported by Croatia’s Ministry of Culture, their project includes songs mainly written by Goluban. Both artists have impressive backgrounds, performing extensively in Europe and the U.S., and blending various musical influences.
Isabelle Olivier’s album “Impressions” pays homage to impressionism, merging elegance and minimalism within her harp compositions. Featuring her sons and a rich string ensemble, the project celebrates artists like Van Gogh and Cezanne, exploring emotions and inspirations from art. Olivier strives to evoke profound feelings through her music.
Micki Free, a Grammy-winning artist and Native American Hall of Fame inductee, releases a five-song EP titled “Dreamcatcher.” The record showcases his diverse talents, including guitar, vocals, and flute, featuring notable musicians like Benny Rietveld and Cindy Blackman Santana. Free’s work promotes healing and advocacy for the Native American community.
Bob Bralove and Patti Weiss’s album, Acoustic Conversations, features mostly composed improvisational jazz recorded live without overdubs. Their bond, formed through past collaborations and pandemic reconnecting, shines in pieces that blend classical and jazz elements. The album showcases their musical dialogue, resulting in expressive tracks with a cinematic quality.
“Live from the Midnight Circus Indie Blues Double Shot Show celebrates the evolution of blues through innovative and diverse indie artists. Featuring numerous musicians, the show honors past influences while spotlighting new original music. It emphasizes the blues as a living, emotional art form crafted with integrity. Tune into the Indie Blues Movement.”
Blockchain technology is transforming the music industry by enabling direct payments to artists, eliminating middlemen. Musicians can earn through instant micropayments per stream, fan tipping, selling music shares for royalties, and forming decentralized autonomous organizations (DAOs) for project funding. This empowers artists, enhancing revenue and fan engagement.
Sylvie Courvoisier and Mary Halvorson, two acclaimed musicians, collaborate on “Bone Bells,” blending contemporary chamber music and avant-garde jazz. Each composes alternating tracks, creating an evocative soundscape. Highlights include the haunting title track and the unpredictable “Esmeralda.” Their synergy showcases a dynamic fusion of unique talents, akin to a perfect culinary pairing.
Steve Kelly’s debut album, “Here’s the Thing,” reflects his personal struggles with mental health and addiction, alongside triumphs in the music industry. Collaborating with notable musicians from New Orleans, Kelly explores themes of love, self-worth, and resilience in his diverse tracks. The album showcases his evolving style, balancing energetic and introspective songs.
“Every Journey” is Claire Cope’s second album featuring her Ensemble C, premiering on March 8, 2025, to honor International Women’s Day. The album celebrates courageous women, celebrating their daring journeys through compositions inspired by figures like Bessie Coleman. With lush arrangements and Brigitte Beraha’s ethereal vocals, Cope blends contemporary classical and jazz.
The album “Jazz We Trust” celebrates Posi-Tone Records’ 30th anniversary, featuring a talented septet called the Swingtet. The record showcases compositions primarily by the ensemble members, highlighting energetic pieces, intricate rhythms, and reflective ballads. The album culminates in a vibrant display of musicianship, paying tribute to the label’s legacy.
Simón Willson, a Chilean-born bassist based in NYC, showcases a dynamic live performance at Brooklyn’s Ornithology Jazz Club with his quartet. Throughout the album “Bet,” the group explores risk and improvisation, combining energetic solos and cohesive rhythms. The recording captures the intensity and excitement of live jazz, leaving the audience captivated.
Sasha Berliner’s album “Fantôme” showcases her remarkable skills as a vibraphonist and composer. With dynamic performances and original compositions, she blends jazz genres, encouraging listeners to embrace her free-spirited sound. Highlights include the energetic “U.M.M.G.” and the tender “Worst Person in the World,” reflecting her musical evolution and unique style.
Murray Attaway, born November 30, 1957, is an American musician, known as the lead singer and guitarist for Guadalcanal Diary. After the band’s breakup, he released the solo album “In Thrall” in 1993 and created the podcast “Dazzle Dudes” in 2019. Attaway’s poetic songwriting is showcased in “Tense Music Plays.”
The Turn it Up with Gerry Casey show #281 features an array of musical guests including Subway to Sally, The Osmonds, and Judas Priest. The playlist highlights diverse tracks from various artists, showcasing genres and styles ranging from classic rock to contemporary blues, reflecting the vibrant music scene.
Smart contracts are revolutionizing the music industry by ensuring musicians receive instant, fair payments while maintaining control over their rights. These digital contracts operate automatically on blockchain, eliminating middlemen such as record labels and distributors. Musicians benefit from transparency, equitable royalty distribution, and reduced delays in earnings, enhancing overall financial security in their careers.
Geoff Achison, a talented musician from Victoria, Australia, began his musical journey with an old guitar discovered at home. Mentored by jazz musician Alan Watson, he developed a unique style blending blues with various genres. After moving to Melbourne, he gained recognition, released several albums, and became a respected educator, inspiring younger musicians.
Eric Johanson, a gifted blues guitarist from New Orleans, has gained acclaim for his soulful music since high school. His live album captures the energy of his performance in Biloxi. Featuring original songs and collaborative tracks, Johanson emphasizes the authenticity of live recordings, sharing heartfelt experiences with his audience.
Making a Scene presents the “Live from the Midnight Circus” podcast featuring Geoff Achison, celebrating Indie Blues. The program highlights artists embracing blues’ diversity, honoring its roots while innovating original music. This movement empowers musicians to connect emotionally with audiences, continuing the tradition of blues as a living art form.
Florida-born Sean Chambers began his blues career in 1998, touring with Hubert Sumlin until 2003. Noted as one of the top 50 blues guitarists, Chambers released his acclaimed album “Ten Til Midnight” in 2009. His latest work, “That’s What I’m Talkin About,” features guest musicians and pays tribute to Sumlin.
Geoff Achison’s album “Don’t Play Guitar Boy” showcases his exceptional guitar skills and songwriting in an acoustic format without overdubs. The twelve original songs blend folk and blues, reflecting his personal experiences and emotions. Achison’s artistry resonates deeply, drawing comparisons to notable musicians while celebrating his 30-year career in music.
The content introduces blockchain’s role in the music industry, emphasizing its benefits for artists including copyright protection, direct payments, and elimination of middlemen. It explains how blockchain ensures transparency and security, allowing musicians to retain more earnings and confirm their work’s authenticity. The future may bring innovative uses like NFTs and decentralized platforms.
The Bigger Badder Bones, featuring André Hayward, showcases an exciting blend of blues and Latin-inspired tunes in their latest album “Sliders.” With talented contributors on trombone, piano, bass, and drums, each composition reflects the life experiences of composer Brett Stamps. The album highlights impressive arrangements and exceptional performances throughout.
The Yellowjackets’ 27th album, “Fasten Up,” showcases the band’s genre-defying style through a mix of compositions from its current quartet. With members contributing their unique sounds, the album blends soul-jazz, traditional fusion, and electronic elements, resulting in varied tracks that highlight their evolution over four decades.
“The Definitive Albert White” celebrates Albert White’s seventy-year musical career and his thirty years with Music Maker. Produced by Jimbo Mathus, the album features notable covers and showcases White’s unique style. With expressive vocals and guitar work, this collection reflects his rich history and artistry in the blues genre.
David “Kid” Ramos, a California-born guitarist, has a rich musical legacy spanning from the 1980s. He formed significant collaborations, notably with The Fabulous Thunderbirds. Diagnosed with Ewing’s sarcoma in 2012 yet later declared cancer-free, Ramos released “Strange Things Happening,” a gospel-blues album featuring heartfelt collaborations and inspirations from his life journey.
Steve Allee’s “Naptown Sound” showcases the vibrant jazz legacy of Indianapolis, featuring compositions predominantly by Allee himself. The album boasts dynamic arrangements with guest conductor John Clayton and talented musicians. Notable tracks include “Spang a Lang” and “Naptown Nights,” highlighting Allee’s innovative style and rhythmic energy, celebrating the city’s cultural evolution.
Pianist Ross Lossing’s album “Moon Inhabitants” reflects his innovative approach to the conventional piano trio format. Blending originals with compositions by Ornette Coleman and Tchaikovsky, the trio creates a weightless musical experience. The album showcases their unique improvisational style, highlighting the interplay between rhythm and melody while embracing free expression.
The Twangtown Paramours, a Nashville-based duo of Mike T. Lewis and MaryBeth Zamer, blend Americana, Folk, and Blues in their acclaimed music. Their upcoming album, The Wind Will Change Again, features their best acoustic songs to date, showcasing a range of emotions and impeccable musicianship, all while maintaining a lighthearted approach to life.
“Positive Energy” by the Greg Abate Quartet features seasoned jazz musicians delivering an uplifting album filled with original compositions. Greg Abate’s alto sax, John Rangel’s piano, Terry Burns’ bass, and David Post’s drums create an engaging sound. The music captures the vibrant New Mexico jazz scene while channeling resilience during the pandemic.
Sunny War’s new album, “Armageddon in a Summer Dress,” follows her breakthrough “Anarchist Gospel” and features several notable guests. Inspired by eerie experiences in her father’s old house, the album examines themes of memory and loss, blending punk and Americana influences. While some production choices overshadow her vocals, War’s talent shines through.
