Steve Kelly’s debut album, “Here’s the Thing,” reflects his personal struggles with mental health and addiction, alongside triumphs in the music industry. Collaborating with notable musicians from New Orleans, Kelly explores themes of love, self-worth, and resilience in his diverse tracks. The album showcases his evolving style, balancing energetic and introspective songs.
Murray Attaway, born November 30, 1957, is an American musician, known as the lead singer and guitarist for Guadalcanal Diary. After the band’s breakup, he released the solo album “In Thrall” in 1993 and created the podcast “Dazzle Dudes” in 2019. Attaway’s poetic songwriting is showcased in “Tense Music Plays.”
The Turn it Up with Gerry Casey show #281 features an array of musical guests including Subway to Sally, The Osmonds, and Judas Priest. The playlist highlights diverse tracks from various artists, showcasing genres and styles ranging from classic rock to contemporary blues, reflecting the vibrant music scene.
Geoff Achison, a talented musician from Victoria, Australia, began his musical journey with an old guitar discovered at home. Mentored by jazz musician Alan Watson, he developed a unique style blending blues with various genres. After moving to Melbourne, he gained recognition, released several albums, and became a respected educator, inspiring younger musicians.
Eric Johanson, a gifted blues guitarist from New Orleans, has gained acclaim for his soulful music since high school. His live album captures the energy of his performance in Biloxi. Featuring original songs and collaborative tracks, Johanson emphasizes the authenticity of live recordings, sharing heartfelt experiences with his audience.
Making a Scene presents the “Live from the Midnight Circus” podcast featuring Geoff Achison, celebrating Indie Blues. The program highlights artists embracing blues’ diversity, honoring its roots while innovating original music. This movement empowers musicians to connect emotionally with audiences, continuing the tradition of blues as a living art form.
Florida-born Sean Chambers began his blues career in 1998, touring with Hubert Sumlin until 2003. Noted as one of the top 50 blues guitarists, Chambers released his acclaimed album “Ten Til Midnight” in 2009. His latest work, “That’s What I’m Talkin About,” features guest musicians and pays tribute to Sumlin.
Geoff Achison’s album “Don’t Play Guitar Boy” showcases his exceptional guitar skills and songwriting in an acoustic format without overdubs. The twelve original songs blend folk and blues, reflecting his personal experiences and emotions. Achison’s artistry resonates deeply, drawing comparisons to notable musicians while celebrating his 30-year career in music.
“The Definitive Albert White” celebrates Albert White’s seventy-year musical career and his thirty years with Music Maker. Produced by Jimbo Mathus, the album features notable covers and showcases White’s unique style. With expressive vocals and guitar work, this collection reflects his rich history and artistry in the blues genre.
David “Kid” Ramos, a California-born guitarist, has a rich musical legacy spanning from the 1980s. He formed significant collaborations, notably with The Fabulous Thunderbirds. Diagnosed with Ewing’s sarcoma in 2012 yet later declared cancer-free, Ramos released “Strange Things Happening,” a gospel-blues album featuring heartfelt collaborations and inspirations from his life journey.
The Twangtown Paramours, a Nashville-based duo of Mike T. Lewis and MaryBeth Zamer, blend Americana, Folk, and Blues in their acclaimed music. Their upcoming album, The Wind Will Change Again, features their best acoustic songs to date, showcasing a range of emotions and impeccable musicianship, all while maintaining a lighthearted approach to life.
Sunny War’s new album, “Armageddon in a Summer Dress,” follows her breakthrough “Anarchist Gospel” and features several notable guests. Inspired by eerie experiences in her father’s old house, the album examines themes of memory and loss, blending punk and Americana influences. While some production choices overshadow her vocals, War’s talent shines through.
Nikki O’Neill, a Chicago-based R&B/Americana artist, is set to release her third album, “Stories I Only Tell My Friends.” Co-produced with Rich Lackowski, the album combines live recordings and diversity in sound, reflecting her upbringing and influences. It features the lead single “Drive” and explores themes of personal growth and resilience.
Max Hightower, hailing from South Carolina, discovered his passion for music at twelve with Muddy Waters’ blues. Transforming from harmonica to various instruments, he co-founded Plate Full O’ Blues and tours internationally. His debut album “Nothin’ but the Truth” features original tracks recorded live in New Orleans, celebrating the essence of funk and blues.
Dean Zucchero, a bassist and songwriter from New York, released his new album “Song For The Sinners” in 2023 after his debut topped the Billboard Blues Chart. Produced by Jake Eckert in New Orleans, the album features diverse guest artists and explores themes of romance, loss, and existential reflections through original lyrics.
Madeline Rosene is an indie pop-n-roll singer-songwriter recognized for her sharp wit and genre-blending sound. Her debut album, “Raised on Porn,” addresses societal disconnect, while “Everyday Existential Crisis” delves into introspection. Collaborating with notable artists, she captivates audiences through thought-provoking lyrics and compelling performances, establishing herself as a distinctive voice in music.
Making a Scene presents “Live from the Midnight Circus” featuring Ed Alstrom, showcasing the essence of Indie Blues. This podcast celebrates diverse artists creating innovative blues music, honoring traditional roots while expressing modern realities. Listeners are invited to embrace the emotional depth and authenticity of the evolving Indie Blues movement.
Rev. Peyton’s Big Damn Band releases their 12th album, “Honeysuckle,” featuring a blend of original and classic country blues. The vibrant sound is crafted at their Kentucky home, showcasing Rev. Peyton’s powerful storytelling and musicianship. With guest artists and raw energy, they celebrate the blues’ enduring legacy and innovation.
Ra’Shad The Blues Kid’s fourth album, “Live In Clarkdale,” showcases his blend of southern soul, Delta Blues, and country blues. Raised in Laurel, Mississippi, he captivates audiences worldwide with original songs reflecting themes of joy and heartbreak. Notably, his band secured second place at the prestigious 2025 International Blues Challenge in Memphis.
OVERHAUL is a Rock, Grunge, Alternative Rock band from Scotland, formed in 1997 by Andy Gallagher. With influences from U.S. coasts and Scotland, they have released five albums and toured extensively across Europe. Known for energetic live performances, they attract fans of bands like Nirvana and Aerosmith with their catchy sound.
Ed Alstrom, a musician from New Jersey, began his music journey at age five. He has been a Music Director at Central Presbyterian Church since 2016 and has a diverse performance background, including work on Broadway and with notable artists. He also contributed to Casio’s keyboard division and engages in local theater organ performances.
Will Wilde’s album, “The Blues Is Still Alive,” is his sixth release and first with Vizztone Label Group. Featuring all new songs written by Wilde, the album showcases his vocals and harmonica skills, along with contributions from talented musicians. It celebrates the enduring spirit of the blues with lively lyrics and strong melodies.
Sean Chambers, a Florida-born blues guitarist, gained prominence through tribute bands and tours with Hubert Sumlin. His career spans multiple albums, including “Live From Daryl’s House Club,” which showcases his songwriting and features Savoy Brown’s rhythm section. The album pays tribute to late artists and captures his musical journey.
Captain’s Audio Project, led by James Cook, is a debut album showcasing his songwriting and multi-instrumental talents. Influenced by his experiences and a variety of musical genres, the album features emotive lyrics and a diverse sound, including contributions from a skilled horn section. It’s a captivating introduction to his artistic journey.
Sean McConnell’s 15th album, “Skin,” showcases his skills as a songwriter and collaborator. Co-produced with a talented team, the album explores deep themes such as sobriety, faith, and personal growth. Each track offers listeners open-ended reflections, highlighting the expansive journey of self-discovery beneath the skin.
Making a Scene presents “LIVE from the Midnight Circus,” a podcast celebrating Indie Blues. This show highlights artists who embrace the blues’ evolution, maintaining its roots while innovating. By honoring past influences and exploring new music, these musicians create emotionally resonant work that connects deeply with listeners, fostering the Indie Blues movement.
Dean Zucchero, originally from New York’s East Village, has evolved through various music scenes, including a nine-year European stint and a return to New Orleans. Amid the Covid pandemic, he revitalized local music through the “Acoustic Blues Series” and a mini Jazz Fest, laying the groundwork for a new solo album celebrating community and resilience.
Gerry Casey interviews Robbert Duijf, a passionate and heartfelt songwriter from Ireland, notable for his sincere music and deep audience connections. Robbert’s songs, including “First Train Out,” convey personal narratives, inviting listeners to engage emotionally through laughter and tears. His artistry emphasizes the significance of connection in today’s world.
Andy Hanson, an Eau Claire, WI-based musician, embarks on a solo journey through folk and Americana with his debut album, “Roots.” This album delves into personal experiences and memories, reflecting how our past shapes us. Inspired by folklore and contemporary influences, it aims to empower listeners to confront their struggles.
McKenna Moonah Blues Duo, comprised of Canadian musicians Mike McKenna and Jay Moonah, releases their new album “Breaking News.” The duo, also restaurateurs, showcases their talent with a mix of bluesy tracks and engaging lyrics. Both are Maple Blues Award nominees, delivering an EP that promises to captivate listeners.
Massy Ferguson’s seventh album, “You Can’t Tell Me I’m Not What I Used to Be,” showcases a departure from their traditional sound, blending lush instrumentation with layers and textures. Produced by Damien Jurado, the album features both familiar heartland rock and riskier psychedelic elements, resulting in an uneven but adventurous collection of songs.
Mark “Muleman” Massey, a Mississippi native and former Parchman prisoner, transitioned from incarceration to music, playing alongside blues legends. His new album “Been A Long, Long Time” features original songs and classic covers, showcasing his talent and experiences. Recognized by the Library of Congress, he continues inspiring others through music.
Tommy Castro & The Painkillers’ album “Closer to the Bone” showcases a blend of blues, R&B, and rock, featuring ten covers and four originals. Castro demonstrates his dynamism as a vocalist and guitarist, aided by notable guests. This album is poised to delight blues enthusiasts, encouraging a jubilant response.
Matt “The Rattlesnake” Lesch’s sophomore album, “Blues Cut Like Glass,” follows his debut “Furious Strike.” Written and arranged by Lesch, the album features a mix of original songs showcasing his blues guitar skills. Recorded at Blue Lotus Studio, it highlights various collaborations and includes heartfelt performances, making it highly recommended.
Mother Coyote, the new alias of singer-songwriter Andriana Lehr, emerges with her EP “When The War Comes,” created alongside producer Andy Thompson. It reflects personal and collective change, featuring rich soundscapes and profound, personal lyrics that explore themes of birth, death, and healing, offering illumination during challenging times.
Making a Scene showcases the “LIVE from the Midnight Circus” podcast featuring John ‘Greyhound’ Maxwell, highlighting Indie Blues artists who innovate while honoring traditional roots. This vibrant music genre reflects reality and connects emotionally with listeners. The platform celebrates the diversity and creativity within the blues movement, empowering future talents.
Oliver “Mississippi” MacDonald is a rising British singer, guitarist, and songwriter, known for his soulful music inspired by classic American blues and soul artists. With notable releases like his album “Heavy State Loving Blues,” he has garnered praise from the music industry, showcasing his talent and promising future in the soul-blues scene.
Steve Howell’s ninth album, “Yeah Man,” features a blend of country blues and timeless pop tunes, showcasing his fingerpicking prowess alongside The Mighty Men band. Howell revitalizes forgotten songs, emphasizing their emotional depth. The album includes tracks like “Long Lonesome Blues” and “20% Alcohol,” reflecting Howell’s roots in Southern acoustic blues and jazz traditions.
Making a Scene showcases the “LIVE from the Midnight Circus” podcast featuring John ‘Greyhound’ Maxwell, highlighting Indie Blues artists who innovate while honoring traditional roots. This vibrant music genre reflects reality and connects emotionally with listeners. The platform celebrates the diversity and creativity within the blues movement, empowering future talents.
Making a Scene features an interview with 18-year-old singer-songwriter FINICK, based in Minneapolis. Known for their whimsical indie folk sound, FINICK merges personal emotions with imaginative storytelling, drawing inspiration from artists like Brandi Carlisle and Phoebe Bridgers. Their music aims to provide an escape for listeners.
Nashville’s HeavyDrunk, led by Rob Robinson, blends blues, gospel, soul, and rock in their album Holywater. Inspired by Southern culture, Robinson intertwines his culinary and musical passions. The nine-piece band delivers energetic performances, highlighted by rich vocals and infectious grooves. The album features original songs and a unique blend of influences.
Jennifer Porter, an acclaimed musician and actress, showcases her versatility in “Sun Come and Shine Redux.” Featuring enhanced tracks and a blend of styles from jazz to blues, the album highlights Porter’s exceptional vocals and songwriting. With collaborations from talented musicians, the project illustrates her poetic reflections and celebrates her roots in music.
John “Greyhound” Maxwell is a celebrated slide guitarist and mandolin player, recognized for his authentic blues sound influenced by musical legends. With a career spanning decades, he embraces emotion over technicality. His recent accolades include high rankings in blues competitions and contributions to films, solidifying his status in the music scene as he approaches 60.
Lucero’s latest release, “Unplugged: Liberty & Lament,” features acoustic renditions of 20 songs by frontman Ben Nichols and pianist Rick Steff. The double LP showcases a mix of popular and obscure tracks, highlighting Steff’s captivating piano work alongside Nichols’ emotive vocals. While the uniformity may feel repetitive, several standout pieces capture the band’s essence.
Bob Corritore’s “Doin’ The Shout!” is his twenty-first album and features new recordings from 2023-2024. Collaborating with various artists, the album includes diverse tracks showcasing his exceptional harmonica skills. With a vibrant sound and masterful performances, it promises to be a notable addition to the blues genre.
Jimmy Vivino, known for his role as Conan O’Brien’s musical director, has released a new album, “Gonna Be 2 Of Those Days,” showcasing his songwriting talent. The album features notable collaborations and a mix of blues influences. Rich Pagano co-produced this collection, highlighting Vivino’s diverse musical journey from television to live performances.
John Mailander’s album “Forecast: Let the World In” showcases a genreless blend of mostly instrumental, improvised music featuring violin, keys, and various instruments. The collection, designed as a continuous suite, offers exploration through cinematic compositions. Highlights include “Heartland” and a cover of Nick Drake’s “Road,” blending earthiness with otherworldly sounds.
The collection “Peace” celebrates the late Frank Bey’s music, featuring eleven tracks mostly recorded with his longtime collaborators. Notably, it includes covers of classics like “Change Is Gonna Come” and “Imagine.” Bey’s powerful live performances are remembered fondly, while Sallie Bengston’s efforts revitalize his legacy for newer audiences.
Charles “Wigg” Walker, an octogenarian soul artist, releases his first album in over a decade, “This Love Is Gonna Last.” Despite the challenges of the music industry, the album showcases his versatility in soul, R&B, and ballads. Walker’s deep emotional connection to the music, especially after losing his wife, stands out as he delivers genuine soul that resonates with audiences.
Larkin Poe’s seventh album, Bloom, showcases the Lovell sisters’ evolution from bluegrass prodigies to masters of a signature roots-rock sound infused with blues and pop elements. Entirely self-produced, the album features dynamic tracks like “Mockingbird” and “Easy Love Pt. 1,” highlighting their songwriting prowess, vocal harmony, and instrumental versatility.
