An Exclusive interview with Barbara Newman – President and CEO of the Blues Foundation by Richard Lhommedieu on Mixcloud

Barbara B. Newman has been selected to succeed Jay Sieleman as President and Chief Executive Officer of The Blues Foundation, the Memphis-based, international music organization dedicated to preserving blues music history, celebrating recording and performance excellence, supporting blues education and ensuring the future of this unique art form. She will take the helm October 1.

Ms. Newman is a fourth-generation Memphian with deep ties to the city that annually hosts the world’s two premier blues music events—the International Blues Challenge and the Blues Music Awards—and is now home to the physical Blues Hall of Fame, expected to draw thousands of visitors annually.

She earned a B.A. in Political Science from Brown University, later adding advanced training in accounting, money and banking, and corporate finance during her tenure with New York-based National Westminster Bank, USA.

Upon her return to Memphis, she began non-profit work with the Bornblum Solomon Schechter School Board of Directors, serving as Treasurer, Vice-President of both Administration and Fundraising, and President. From 2007 to the present, she served as Executive Director of Beth Sholom Synagogue, where her responsibilities included financial administration, communications, human resources, and facility management. She has also been active leader engaged with Board development, fundraising, and strategic planning for Planned Parenthood, Greater Memphis Region.

She also has worked in the for-profit sector, serving nine years as financial manager of a restaurant and catering business.

“The Blues Foundation is very excited to welcome our new President and CEO, Barbara B. Newman” offers Board Chairman Paul E. Benjamin. “She will be a great leader who will help us move forward, taking The Blues Foundation to new heights. We all look forward to working together creating a great team.”

She was raised in the world of music, with many family members working in the music industry. Her introduction to the blues occurred when she attended a 7th grade assembly in which Blues Hall of Famer Furry Lewis performed. Even though she was only 11 years old, she knew she was in the company of greatness.

She is a member of the National Academy of Recording Arts and Sciences and Folk Alliance International.

She and her husband, Bruce Newman, a Memphis entertainment attorney and CPA, have co-produced multiple fundraising concerts for a variety of organizations, gaining experience in all logistical areas of music production and event planning.

Her vision includes ensuring The Blues Foundation grows its financial viability to reach an even larger constituency, from children first learning about this unique music to musicians and patrons around the world. This includes solidifying its well-respected programs, building upon the existing high-level communication with and support to its membership, interfacing and partnering with other local, national, and international agencies, building a strong endowment, and opening new avenues for members to participate and receive support from the organization.

Blues Foundation was founded in 1980 and is dedicated to preserving blues music history, celebrating recording and performance excellence, supporting blues education, and ensuring blues music’s future.

The foundation has 4,500 individual members and 200 affiliated local blues societies that represent another 50,000 fans and professionals around the world.

Blues Hall of Fame

  In May of 2015 the Blues Foundation opened a brick and Mortar “Blues Hall of Fame”! From the very beginning in 1980, they began inducting members into this Hall of Fame. Now with a lot of hard work and determination, the Hall of Fame will have a permanent home!

The Blues Hall of Fame is a historical record of those who have made the Blues timeless through performance, documentation, and recording. Since its inception in 1980, The Blues Foundation has inducted new members annually into the Blues Hall of Fame for their historical contribution, impact and overall influence on the Blues. Members are inducted into the Blues Hall of Fame in five categories: Performers, Individuals, Classic of Blues Literature, Classic of Blues Recording (Song), Classic of Blues Recording (Album). Accordingly, individuals, recordings and literature are included in the Blues Hall of Fame.There is no submission or nomination process for induction in to the Blues Hall of Fame. Rather, each year in the fall, a distinguished panel of blues scholars begins the process of discussing who they believe should be given consideration for induction into the Blues Hall of Fame. After some back and forth, they vote in each of the five categories. The number of nominees in a year may vary. With financial support from the Tennessee Arts Commission, noted Blues scholar Jim O’Neal has researched and written a definitive biographical sketch for each of the inductees.

Blues Music Awards
This is the program that started it all. The Blues Foundation started giving this award in 1980 (was called the WC Handy award) and has since become the equivalent award, in the blues genre, as the Country Music Awards and the Grammy’s are to Country and Popular Music. Each year the blues community comes together for an event that attracts Blues Performers, Industry professionals and Fans from all over the world. 2015 will see it’s 36th Blues Music Awards ceremony!

International Blues Challenge

in 1984 The Blues Foundation started the “Amateur Blues Talent Contest”, became the “National Blues Talent Contest” in 1994 and finally becoming the “International Blues Challenge”. This competition has grown over the years to become the showcase for new Independent Blues Talent. Artists like Susan Tedeschi, Michael Burkes, Jarekus Singleton, Larry Garner, Tramped Under Foot, Grady Champion, JPBlues, Homemade Jamz Band, Sean Carney,  to name a few, have competed in “International Blues Challenge” over the years. Blues artists and Fans from all over the world converge on Beale Street in Memphis in what is now considered the largest gathering of Blues fans and Independent Blues artists in the world.

Keeping the Blues Alive Awards

The Blues foundation presents this award to non performing individuals that contribute to “Keeping the Blues Alive”. Noted Authors, Educators, Journalists and those who work behind the scenes. “The KBAs are awarded for the recipients work in the past year but most often reflect a lifetime of work”

Hart Fund

The Blues Foundation has established the HART Fund (Handy Artists Relief Trust) for Blues musicians and their families in financial need due to a broad range of health concerns. The Fund provides for acute, chronic and preventive medical and dental care as well as funeral and burial expenses.

Sound Healthcare

The situation of the music industry’s many self-employed professionals is unique, and their need to access affordable healthcare benefits is great. To address this critical issue for its music industry members, in the summer of 2009, The Blues Foundation joined a number of music associations to partner with Sound Healthcare, providing access to a variety of healthcare benefits and insurance programs to those in need. Also in light of the “Affordable HealthCare Act”, the programs helps musicians navigate and find the right plan for them.

Blues In the Schools (BITS)

In the early 20th Century, W.E.B. Dubois wrote, “The problem of the 20th Century is the problem of the color line.” Through the study of blues traditions in any curriculum, educators can address educational issues like the color line, diversity, multi-culturalism, and interdisciplinary studies in a way that engages all aged students.

At a time when Dubois’ words still echo, an understanding of this truly original American music form allows students to appreciate this and other contributions of African-Americans to the world. The study of the blues is the study of the culture that produced this music. This cultural study is an investment in the human spirit

Studying the blues can give students deeper understanding of the rural and urban African-American culture.

With the exception of Native American music forms, the blues is the first pure American music form to have originated in this country. Coming from the oral traditions of folk music, the blues is the foundation for all other popular music forms students listen to today.

Just as important as understanding the evolution of the musical structure of the blues is understanding the ways blues music expressed individual emotions.

Students can be shown the essential part these rural lyrics played in the African-American oral traditions. Lacking an educational system, these early country blues men and women created beautiful poetry that responded to the conditions of their world. Sometimes the lyrics expressed the anger they could not speak. Other times, they painted a vivid picture of African-American life in those fields.

At the same time, the music incorporated danceable rhythms and so called “blue notes” that could assuage the day’s Jim Crow encounters.

Music reflects the feelings of the times. Through the blues, student listeners can feel what happened in those times and know to apply it to today.

Generation Blues

The Blues Foundation expanded its longstanding Blues in the Schools youth education efforts with a new initiative that began in 2010 entitled Generation Blues. This scholarship program allows qualified applicants under the age of 21 to study their instrument of choice at reputable camps, seminars and workshop programs such as Port Townsend Acoustic Blues Festival, Augusta Heritage Center and Fernando Jones’ Columbia College Blues Camp.

Camps, seminars and workshops attended by Generation Blues scholarship recipients generally take place in the throughout the year in the recipients’ choice of locations. Participants are awarded the scholarships on an annual basis, and participation is open to anyone under the age of 21 and interested in the blues. Applicants must write a letter of intent and provide letters of recommendation. Video submissions are also accepted. The deadline for applications is March 15, 2015.

Blues Foundation board member and leader in the Generation Blues initiative Cassie Taylor notes “this is a wonderful way to ensure the future of the blues by helping young people get the education they need and deserve to help them grow as a blues artist.” Taylor started her career in blues music as a teenager when she toured successfully with her father, trance blues artist Otis Taylor.

Generation Blues joins a number of other successful youth initiatives launched by The Blues Foundation, including the popular Blues in the Schools which supports blues educators by providing a classroom curriculum that incorporates elements of history, math, English, music, and other disciplines as they can relate to the entire blues industry of making and promoting blues music. Youths under age 21 may also take advantage of free individual membership of The Blues Foundation.

By offering individuals up to the age of 21 free membership, the Foundation invites even more young blues lovers to get started on a lifetime of participation in the activities of their local blues society and The Blues Foundation. Generation Blues is one of several new programs announced to further assist blues musicians and those making their careers within the blues music community.

To find out how you can support the Blues Foundation please go to their website www.blues.org  and become a member!