Every week our staff of CD Reviewers bring you the best in Independent CD releases. Making a Scene is considered the number 1 resource for the independent musician and the fans that love them.
Ben Solomon’s debut album “Echolocation” features original jazz compositions inspired by Coltrane and Davis. Collaborating with talented musicians Davis Whitfield, Rashaan Carter, and Kush Abadey, Solomon’s tenor saxophone reflects and enhances the musical flow. The album, part of Giant Step Arts, showcases a modern take on jazz roots while spotlighting Solomon’s compositional skill.
Nikara Warren’s album blends jazz, hip-hop, R&B, and house, showcasing her vibraphone skills with collaborations featuring talented musicians. The arrangements, including fresh takes on classics like Marvin Gaye’s “Inner City Blues,” highlight rich Caribbean influences and modern improvisation. Each track contributes to an immersive cultural tribute.
Sivan Arbel’s album “Oneness” responds to societal divisions with original songs that blend Indian classical music and contemporary pop. Collaborating with bansuri master Jay Gandhi, Arbel’s sound reflects her curiosity about cultures. While aiming for unity through music, some critics argue her work lacks the jazz roots seen in legendary vocalists.
Charles Tolliver’s concert album, “Live at the Captain’s Cabin,” showcases a dynamic quartet featuring brilliant interplay among Tolliver on trumpet, John Hicks on piano, Clint Houston on bass, and Cliff Barbaro on drums. Their creativity and cohesion shine through original compositions and jazz standards, resulting in an engaging and powerful listening experience.
Lisa Hilton’s latest album, “Lucky All Along,” features a talented quartet and emphasizes cool jazz alongside impressionist art influences. With nine originals and three covers, the album showcases Hilton’s improvisational skills and diverse inspirations, including Miles Davis and Lana Del Rey. It highlights the group’s collective talent, maintaining a bluesy essence throughout.
John Nau, a veteran keyboardist and producer, returns to Posi-Tone with his project Four Corners, celebrating the label’s 30th anniversary. The album features a core group and 21 accompanying musicians, with a five-part suite reflecting his family experiences. The music combines personal narratives with varied instrumentation, demonstrating Nau’s unique, cinematic style.
The Gardyn Jazz Orchestra’s new album, inspired by Von C. Brewing Company’s beers, features compositions by Jon C. Gardner. Each lively track showcases the band’s talent, blending jazz with celebratory elements. Notable pieces include “Dinero de Sangré” and “By the Stoney Creek,” both rich in melody and rhythm, promising an engaging listening experience.
The Owsley Stanley Foundation presents “You’re Doin’ Fine – Blues at the Boarding House,” a three-CD set featuring John Hammond’s live performance from June 2nd & 3rd, 1973. The release showcases 45 songs, demonstrating Hammond’s exceptional skills as a blues interpreter, while the inclusion of audience interactions enhances the experience.
Big Harp George’s latest album, “Big Harp George Does Christmas,” offers a unique collection of original Christmas songs blending blues and jazz. The album features clever lyrics, engaging instrumentals, and contributions from notable musicians. Big Harp George, a former lawyer turned blues artist, aims for music that can be enjoyed year-round.
Lucinda Williams, the three-time Grammy winner, will release “Sings The Beatles From Abbey Road” on December 6. This album, part of her Lu’s Jukebox series, features covers of Beatles songs recorded at Abbey Road Studios. It showcases her powerful vocals and unique interpretations, cementing her enduring creativity at 71 years old.
The Dennis Spencer Group releases “Bluesman From Jupiter,” reflecting the tumultuous life of lead artist Dennis Spencer. The album, infused with rich narratives and blues influence, showcases themes of love, hardship, and survival across ten original tracks. It features collaborations and a blend of musical styles, capturing Spencer’s journey through highs and lows.
Duck Baker, a distinguished fingerstyle guitarist, showcases his mastery in “Breakdown Lane – Free Solos & Duos 1976-1998.” This collection features fourteen solo tracks and two duo pieces, blending genres like jazz, country, and blues. Despite being overshadowed by contemporaries, his avant-garde approach defines his unique sound, inviting listeners to explore his extensive catalog.
Paul Kendall’s holiday album features the baritone saxophone, showcasing beautifully rendered Christmas classics alongside pianist George Grund. Kendall, who repaired vintage saxophones himself, highlights the nuances of his instruments. The album combines simplicity with beauty, fully supporting the talents of both musicians, creating a joyful and memorable listening experience.
Alex McLaughlin, a bassist and composer from Erie, Pennsylvania, has released his debut album “A Brand New State,” featuring eight original tracks. Blending contemporary jazz with influences from Thelonious Monk, he collaborates with skilled musicians to explore themes of change. His compositions evoke deep emotions and rich imagery, showcasing his profound musicality.
Ben Goldberg, Todd Sickafoose, and Scott Amendola collaborate in their trio recording “Here to There,” blending clarinet, bass, and electronics. This innovative work reinterprets Monk’s compositions, generating unique pieces while maintaining an experimental yet relaxed atmosphere. The album highlights intricate interplay and showcases each musician’s creativity across various compositions.
Guitarist Davy Mooney and drummer Ko Omura return with their album, The Word, featuring compositions that highlight their contrasting styles. Mooney’s pieces are darker and structured, while Omura’s are warm and free, incorporating Indian music influences. Collaborating with talented musicians, they create melodic and textured compositions that explore diverse musical landscapes.
Cliff Korman Trio’s album “Urban Tracks,” features Korman (piano), Harvie S. (bass), and Rafael Barata (drums). Korman’s mastery shines in tracks celebrating Brazilian music, like “Chelo de Malicia” and “Manha De Carnaval.” His arranging skills are highlighted in jazz standards, offering a vibrant, engaging listening experience throughout the album.
“Colouring Hockets” is John Hollenbeck’s ninth large ensemble album, featuring Germany’s NDR Bigband and percussionist Marcio Doctor. The album creatively integrates a four-piece percussion quartet, presenting a unique blend of contemporary classical, jazz, and post-rock, influenced subtly by Latin rhythms. It includes both new works and repurposed compositions, showcasing innovative timbral textures.
Elsa Nilsson’s album “Quila Quina” features flute compositions inspired by the Argentine landscape during her writing residency. Collaborating with pianist Santiago Leibson, the music blends classical and easy listening elements. While calming and beautiful, it leans more towards European Classical rather than jazz, showcasing Nilsson’s artistic expression and musical journey.
Darryl Yokley’s album “Un Mundo En Soledad” celebrates Gabriel Garcia Marquez’s novel “Cien Anos de Soledad” through jazz and Latin music. Featuring talented musicians, the work highlights Yokley’s unique cultural heritage. The album combines original compositions with vibrant arrangements, showcasing the camaraderie and musical prowess of the ensemble.
“Taking Turns” is an archival album featuring notable musicians like Jacob Bro and Lee Konitz, recorded in 2014. It emphasizes atmospheric sounds, showcasing Bro’s compositions and including influences from Paul Motian. The music flows seamlessly, creating a beautiful soundscape that invites listeners to immerse themselves for a tranquil experience.
Corky Siegel’s “Symphonic Blues No. 6” might be his final work as a harp master, blending classical and blues elements. The recording features contributions from leading musicians and includes three main movements. Celebrating Siegel’s 80th birthday, the album showcases his adaptability in diverse musical settings, preserving his remarkable legacy.
The Caribbean Christmas Mixtape Vol. 1, created by Joy Lapps and Larnell Lewis, showcases holiday songs infused with Caribbean rhythms and joy. Featuring top Toronto musicians, the album offers fresh arrangements, notable performances like “SOCA Sleigh Ride,” and a celebration of cultural diversity, aiming to inspire and uplift through music.
Tania Grubbs Quintet’s “The Sound of Love” features vocalist Tania Grubbs alongside talented musicians. With a warm tone, Grubbs showcases jazz standards and original compositions, blending pop influences. The ensemble shines with impressive solos, especially by David Budway on piano and Ron Affif on guitar, creating an engaging listening experience.
Vanisha Gould’s album “She’s Not Shiny, She’s Not Smooth” features her storytelling through jazz-infused compositions. With a strong lyrical focus, she explores personal themes and showcases her vocal talent alongside skilled musicians. Although her spoken word moments may be less effective, Gould’s emotional delivery and unique songwriting shine through, creating memorable melodies.
“Christmastime in Rio” by Romero Lubambo and Pamela Driggs features an easy-listening blend of holiday music rooted in Brazilian influences. With Driggs’ smooth vocals and Lubambo’s guitar, the album includes classic and original songs, celebrating the holiday spirit. Highlights include “Holiday of Love,” “Christmas Love Song,” and the charming “Winter Reverie.”
Kandace Springs’ album “Run Your Race” is a tribute to her late father, showcasing her emotional and warm vocal style alongside original compositions. Inspired by musical legends like Nina Simone, she covers Billie Eilish’s “What Was I Made For?” and includes standout tracks like “Broken Keys” and “Closer To Me,” reflecting her artistic journey.
James O’Donnell’s album “Tough Talk” features a collaborative effort with talented Detroit musicians, including Alvin Paige and Mike Zaporski. O’Donnell’s trumpet and vocal performances alongside creative arrangements of classics showcase his distinctive style. The album highlights a mix of swinging funk jazz and exceptional solos, delivering an exciting listening experience.
Brass Queens, an all-female brass band formed during the pandemic, celebrates diverse musical influences in their album “Hot Tub Sessions Vol. 1.” Blending funk, soul, and jazz, they create a vibrant New Orleans atmosphere. Their debut gained acclaim, leading to a recording session with Atlantic Records and successful performances.
Neta Raanan’s debut album “Unforeseen Blossom” showcases her soft, introspective tenor saxophone tone, influenced by jazz greats. Featuring a talented ensemble, the live recording highlights improvisation and creativity. The album combines post-bop with funk, reflecting Raanan’s soaring melodies and artistic vision, marking her as a promising rising talent in modern jazz.
Ambient Monkeys, a Nashville duo featuring Denny Jiosa and Michael Moryc, incorporates the innovative RAV Vast tongue drum into their engaging music. Their album “Ephemeral Being” showcases a blend of smooth jazz and adult contemporary styles, with each track offering unique rhythms and melodies. Moryc, a veteran, utilizes this instrument due to nerve damage from service.
Donald Vega’s holiday album “All Is Merry and Bright” features vibrant jazz interpretations of classic carols. Alongside bassist Clovis Nicolas and drummer Pete Van Nostrand, Vega infuses joy and modernity into tracks like “Joy to the World” and “O Come, O Come, Emmanuel.” The album promises a delightful addition to any festive music collection.
Mon David’s sixth album, “DNA Continuum,” features eleven songs showcasing his jazz roots. Following his early successes, including wins and notable performances, he returned to jazz after exploring pop music. Collaborating with pianist Josh Nelson, the album highlights creativity and emotional depth, featuring original compositions and interpretations of classic tunes.
Star Motel: An American Music Experience features The J. & F. Band, blending influences from jazz, rock, and blues. The album, produced by Fabrizio Perissinotto, showcases intricate musicianship, highlighted by Jaimoe’s jam and various interpretations, including a vibrant take on “Route 66.” It’s essential for adventurous music enthusiasts and Allman Brothers fans alike.
Rick Braun’s latest holiday album, “It’s Christmas,” is a vibrant collection of jazz interpretations featuring a broad range of styles. Following previous projects, it includes arrangements of traditional songs and original tracks, showcasing Braun’s talent on multiple instruments. The album aims to invoke a spirited holiday atmosphere.
Entre Amigos is a jazz supergroup featuring Roy McGrath, Hana Fujisaki, Kitt Lyles, and Gustavo Cortiñas, whose self-titled debut album emphasizes spontaneous improvisation and composition. With influences from hard bop and Latin music, the quartet showcases their skills through introspective pieces, marked by emotional depth and impressive musicianship. A sequel is anticipated in 2025.
Maria Puga Lareo’s debut U.S. album showcases her jazz and Brazilian music talents, featuring a skilled orchestra co-produced with her husband, Bob Sheppard. The album includes both classic jazz standards and original compositions, highlighting Lareo’s vocal range in English and Portuguese. Critics praise her passionate performances and collaboration.
Ron Houston Real Outlaw Americana Music Self released Ron Houston is a singer-songwriter based in San Diego but originally hailing from the Bakersfield area. The title, Real Outlaw Americana Music, may seem a bit hyperbolic but Houston has the goods, and then some. Like most outlaws, he has that baritone, weathered voice and comes across […]
Full Cream is a jazz quartet featuring Greg Ward, Ziv Ravitz, Matthew Stevens, and Leo Genovese, formed from a combination of chance and planning. Their debut recording showcases inventive compositions blending various instruments and styles. Each member contributes unique soundscapes, resulting in an engaging mix of experimental and melodic pieces.
The Hitman Blues Band’s new album “Calling Long Distance,” produced by Bob Stander, features eight original songs and four covers. Showcasing a mix of genres, standout tracks include “Edge Of The Bed,” “Folsom Prison Blues,” and “Sunday Morning Coming Down.” Russell Alexander’s unique style shines throughout, highlighting his deep NYC blues influence.
Steve Davis’ album “We See” features an exceptional sextet interpreting classic jazz standards. Highlights include a dynamic rendition of “Milestones” and an engaging performance of Thelonious Monk’s title tune, showcasing each musician’s talents. Davis emphasizes the importance of ‘long tones’ for developing sound, enriching the album’s intricate arrangements and superb musicianship.
Ian A Napier’s solo project, The Sanctity of Crows, explores complex, cinematic prog soundscapes. His debut album, Amidst the Gloom, showcases six atmospheric tracks, with the standout “The Light That Binds” drawing comparisons to Pink Floyd. The upcoming Flowers Of The New Dawn promises a symphonic journey for electric guitars.
Walk That Walk is a prominent Boston blues band, rooted in Detroit and Chicago’s electric blues. They have performed over 800 shows, backing legends like Bo Diddley. Their album “Red Devil Lye” features original tunes and covers, showcasing their energetic style. Poppa C DeSynder emphasizes their passion for performance.
The album “Three Visitors” by Scott Colley, Edward Simon, and Brian Blade showcases their deep musical connection over three decades. Opening with Simon’s “Nostalgia,” the work features various vocalists and instrumentalists, exploring themes of visitation and influence from jazz icons. The production combines tranquility with inspiring musical dialogue.
Bassist Joe Fonda’s album “Eyes on the Horizon” honors his mentor, trumpeter Wadada Leo Smith, featuring pianist Satoko Fujii and drummer Tiziano Tomoni. Composed with Wadada’s style in mind, the pieces blend improvisation with structured ensemble passages, showcasing emotional solos and deep collaboration. The work demonstrates their rich musical histories and enduring connections.
Blue Moon Marquee, the duo of A.J. Cardinal and Jasmine Collette from Alberta, Canada, celebrates their tenth anniversary with “New Orleans Sessions,” their sixth album. Recorded live in New Orleans, it features original compositions and historic blues. The album showcases their seamless blend of styles and strong performances, promising to earn accolades.
Alfie Smith’s “Every Rome Needs A Nero” is his eighth album, showcasing his deep voice and slide guitar talent. Released after a ten-year hiatus, it features eight original songs and two covers. Collaborating with various musicians, the album blends personal themes with blues, reflecting Smith’s artistic growth and readiness for broader recognition.
Carly Harvey, an Afro-Indigenous Blues musician from Washington, D.C., presents her debut album “Kamama.” This work blends Blues, Jazz, Soul, and Indigenous styles, highlighting her innovative “Native Scat.” Acclaimed as DC’s Queen of the Blues, Carly’s powerful performances and unique sound promise an engaging musical experience.
Marie Goudy’s “Paloma Sky” features a jazz/pop quintet, showcasing her compositions and arrangements. The album blends contemporary jazz with pop influences, including notable tracks like “Cardinal in the Snow” and “Her Glory.” With strong vocals from Jocelyn Barth and impressive trumpet solos from Goudy, it highlights Goudy’s jazz roots while leaning towards pop.
Greg Nagy’s fourth studio album, “The Real You,” was released on October 1, 2024. It features five new originals and six covers, showcasing Nagy’s soulful voice and musical versatility. The album was produced by Josh Ford and includes contributions from various artists. Critically acclaimed, it has been described as an R&B classic.
