CD Reviews on projects by Americana Artists
Tony Kamel, former frontman of “Wood & Wire,” releases “We’re All Gonna Live,” his third studio album on Blue Corn Music. The album showcases his storytelling, instrumental prowess, and unique clawhammer banjo style. With standout tracks addressing life and loss, it reflects Kamel’s exceptional bluegrass artistry and emotional depth.
Vicki Peterson, a founding member of The Bangles, and John Cowsill, from The Cowsills, have released an album titled “Long After The Fire.” Their collaboration features heartfelt vocal duets with a twangy sound reminiscent of The Everly Brothers and Roy Orbison, highlighting their musical chemistry and rich harmonies across diverse themes.
The Wildwoods, a Nebraska folk-American trio, released their fourth album, Dear Meadowlark. Their acoustic sound blends genuine folk and indie influences, showcasing warm harmonies. The band, formed in middle school, reflects on youth and home with engaging performances and introspective songs. Their talent hints at a bright future ahead.
Geoff Arsenault’s third solo album, Hired Hand, showcases his roots in blues and New Orleans music, blending storytelling with social themes. Collaborating with notable musicians, the album features a mix of gritty vocals, infectious grooves, and diverse instrumentation. It offers a haunting and engaging journey through Arsenault’s musical landscape.
Allison August’s album “August Moon” showcases her musical journey influenced by legends like the Beatles and Etta James. Produced by Grammy winner Tony Braunagel, the album features diverse themes from love and city life to personal loss, culminating in a heartfelt tribute to late collaborators. August’s talent shines throughout the project.
Lance Cowan, a seasoned publicist, embarked on a surprising career as a singer-songwriter. His album “Against the Grain” features ten original tracks, showcasing a blend of acoustic influences, including Neil Young. With a diverse supporting cast, the album reflects his journey and struggles, capturing themes of love, loss, and social reflection.
Richie Lawrence’s album “Moving at the Speed of Trees” showcases his California Americana roots through collaborations with notable musicians. The album features personal narratives, including themes of immigration, hope, and environmental concerns. Its variety of musical styles and deep instrumental textures reflect Lawrence’s diverse experiences and pay homage to his late songwriting partner, Paul Lacques.
David Ramirez’s album “All the Not So Gentle Reminders” features twelve genre-blending songs created during a writing retreat in Alabama. This introspective work showcases dreamy soundscapes and rich arrangements, mixing elements of pop, jazz, and more. The album’s emotional depth and hypnotic quality create a unique auditory experience.
Nighthawk’s “Street Dog” is Parker Hawkins’ eclectic second solo album, blending diverse genres with notable collaborators. Produced with Dave Coleman, it features rich instrumentation and themes ranging from relationships to social judgment. The album’s unique sound celebrates Hawkins’ journey, while honoring his late dog Jaco, offering listeners a varied musical experience.
Helen Cronin’s third album, “Maybe New Mexico,” showcases her evolution as a singer-songwriter with softer, acoustic sounds. Collaborating with Mitch Dane and various musicians, she explores personal themes like relationships, mortality, and the environment. Highlights include the poignant “Rifleman” and reflective tracks like “Not the Year.” Cronin’s vivid lyrics reaffirm her songwriting prowess.
Micki Free, a Grammy-winning artist and Native American Hall of Fame inductee, releases a five-song EP titled “Dreamcatcher.” The record showcases his diverse talents, including guitar, vocals, and flute, featuring notable musicians like Benny Rietveld and Cindy Blackman Santana. Free’s work promotes healing and advocacy for the Native American community.
Bob Bralove and Patti Weiss’s album, Acoustic Conversations, features mostly composed improvisational jazz recorded live without overdubs. Their bond, formed through past collaborations and pandemic reconnecting, shines in pieces that blend classical and jazz elements. The album showcases their musical dialogue, resulting in expressive tracks with a cinematic quality.
Sunny War’s new album, “Armageddon in a Summer Dress,” follows her breakthrough “Anarchist Gospel” and features several notable guests. Inspired by eerie experiences in her father’s old house, the album examines themes of memory and loss, blending punk and Americana influences. While some production choices overshadow her vocals, War’s talent shines through.
Candi Staton, nearing her 85th birthday, releases “Back To My Roots,” featuring a mix of covers and originals. The album celebrates her musical heritage and includes collaborations with various artists. Staton delivers heartfelt performances, reflecting on civil rights and personal experiences, while maintaining her signature gospel sound.
Captain’s Audio Project, led by James Cook, is a debut album showcasing his songwriting and multi-instrumental talents. Influenced by his experiences and a variety of musical genres, the album features emotive lyrics and a diverse sound, including contributions from a skilled horn section. It’s a captivating introduction to his artistic journey.
Sean McConnell’s 15th album, “Skin,” showcases his skills as a songwriter and collaborator. Co-produced with a talented team, the album explores deep themes such as sobriety, faith, and personal growth. Each track offers listeners open-ended reflections, highlighting the expansive journey of self-discovery beneath the skin.
Massy Ferguson’s seventh album, “You Can’t Tell Me I’m Not What I Used to Be,” showcases a departure from their traditional sound, blending lush instrumentation with layers and textures. Produced by Damien Jurado, the album features both familiar heartland rock and riskier psychedelic elements, resulting in an uneven but adventurous collection of songs.
Jennifer Porter, an acclaimed musician and actress, showcases her versatility in “Sun Come and Shine Redux.” Featuring enhanced tracks and a blend of styles from jazz to blues, the album highlights Porter’s exceptional vocals and songwriting. With collaborations from talented musicians, the project illustrates her poetic reflections and celebrates her roots in music.
Lucero’s latest release, “Unplugged: Liberty & Lament,” features acoustic renditions of 20 songs by frontman Ben Nichols and pianist Rick Steff. The double LP showcases a mix of popular and obscure tracks, highlighting Steff’s captivating piano work alongside Nichols’ emotive vocals. While the uniformity may feel repetitive, several standout pieces capture the band’s essence.
John Mailander’s album “Forecast: Let the World In” showcases a genreless blend of mostly instrumental, improvised music featuring violin, keys, and various instruments. The collection, designed as a continuous suite, offers exploration through cinematic compositions. Highlights include “Heartland” and a cover of Nick Drake’s “Road,” blending earthiness with otherworldly sounds.
John Calvin’s album “Greener Fields & Fairer Seas” reflects his journey of growth and resilience following personal losses and societal injustices. It features poetic lyrics emphasizing kindness amid adversity, blending various musical influences. Produced during the pandemic, the album delivers heartfelt emotions, addressing themes of mortality, parenthood, and universal experiences with death.
Diane Coll’s album “Up from the Mud” explores themes of healing from relational trauma, transitioning from dark introspection to brighter tones. The album features ethereal soundscapes and resonates with her experience as a mental health therapist. Closing with the hopeful “All Is Well,” it artistically embodies the interplay of pain and joy.
Dave Murphy’s seventh album, “A Heart So Rare,” explores themes of human fallibility through the lens of divorce, incorporating elements of surrender and forgiveness. A cancer survivor and respected performer, Murphy’s heartfelt songwriting and collaboration with notable musicians create a poignant reflection on life and hope for redemption.
Tom Clarke’s list of Ten Favorite Roots and Blues Albums of 2024 highlights a spectrum of contemporary and traditional influences within the genre. Featuring both legendary and emerging artists, the selections showcase powerful lyrics, soulful instrumentation, and the ongoing significance of roots and blues music through innovative sounds and heartfelt performances.
Ron Houston Real Outlaw Americana Music Self released Ron Houston is a singer-songwriter based in San Diego but originally hailing from the Bakersfield area. The title, Real Outlaw Americana Music, may seem a bit hyperbolic but Houston has the goods, and then some. Like most outlaws, he has that baritone, weathered voice and comes across […]
Johnny Delaware’s album “Para Llevar” reflects his diverse experiences recorded across multiple locations, blending roots rock and psychedelic sounds. With introspective lyrics capturing his personal journey, Delaware explores themes of love, resilience, and self-discovery. The album, rich in poetic imagery, reveals the complexities of finding oneself amidst physical and emotional landscapes.
March to August’s album, Songs Inspired By Witness, reinterprets Karen Hesse’s novel about a Vermont town during Prohibition, addressing themes of invasion, freedom, and social evil, particularly through the character Reynard Alexander, a newspaper editor. The album’s sparse folk/bluegrass sound enhances the lyrics, which explore complex social issues and moral dilemmas.
Ben Graves, a talented singer-songwriter and multi-instrumentalist, has collaborated with various renowned artists. His debut album “Settle Down” blends jazz with R&B, soul, and pop. It features six originals and two inventive covers. Graves’ crooner voice and skilled band create a unique sound, progressively leaning toward jazz throughout the album.
Amy Speace’s album, The American Dream, explores themes of nostalgia, resilience, and emotional turmoil beyond just heartbreak. Through evocative lyrics and collaboration with talented musicians, she reflects on personal experiences, societal fragility, and the pursuit of dreams. The album showcases her growth as an artist and resonant storytelling.
Joy Clark’s album “Tell It to the Wind” highlights her journey as a Black, queer, Southern artist breaking through the music scene with support from artists like Brandi Carlile and Ani DiFranco. Produced by Margaret Becker, the album features themes of resilience, empowerment, and belonging, with a blend of gentle sonics and infectious choruses, marking Clark as an influential voice for survivors.
Ollie Owens, a Canadian singer-songwriter, returns with her second album “Nowhere To Hide” after a family-raising hiatus. Produced by Bobby Blazier, the album, featuring tracks like “Solid Ground,” “Roots,” and covers “The Neighborhood” and “Lord Protect My Child,” blends themes of resilience, love, and personal experiences.
Michael McDermott, an underrated yet brilliant singer-songwriter, releases two albums, “Lighthouse on the Shore” (acoustic) and “East Jesus” (electric), reflecting his dual personalities. His work is highly personal, addressing themes like addiction and perseverance. McDermott’s masterful lyrics and varied music make these albums rich and thought-provoking.
“Paradise Breakdown” by Randall Bramblett showcases his unique blend of blues, folk, gospel, rock, and soul through deeply drawn characters and abstract situations. Accompanied by longtime collaborators, Bramblett continues his 50-year musical journey, offering soulful, robust vocals, and poignant songwriting. The album features standout tracks with themes of love, recovery, and life’s unpredictabilities.
Michele Malone, a stalwart of American roots music for over 30 years, integrates roadhouse rock, blues, folk, and country-soul. “Southern Comfort” reflects her southern Georgia roots, featuring collaborations with notable musicians. The album’s tracks span sentiments of longing, resilience, and familial ties, embodying Malone’s influence in both southern rock and folk genres.
Gary Nicholson’s new album “Common Sense” addresses political divisions through music, featuring various genres and collaborations with renowned artists. Co-produced with Kevin McKendree in Nashville, the album includes tracks like “What A Little Love Can Do” and “Make Good Trouble,” blending messages of unity, love, and common sense with diverse musical styles and talent.
Michael Reynolds, former lead vocalist of alt-country band Pinmonkey, makes a triumphant return to music with “Tarnished Nickel Sky,” produced by Ray Kennedy and released by Blue Elan Records. The album features haunting songs of poignant themes and an impressive ensemble, reflecting Reynolds’ renewed passion and creative liberation.
Oliver Wood’s second solo album, “Fat Cat Silhouette,” follows his debut “Always Smilin’” with a more experimental approach, featuring unconventional instruments and spontaneous recording. Produced by bandmate Jano Rix, the album retains Wood’s infectious groove and distinctive voice. Contributions from various artists enhance tracks with unique textures and sounds, underpinned by high energy and emotion.
Christopher Wyze & The Tellers Stuck In The Mud Big Radio Records Christopher Wyze was awarded a “One To Watch” songwriter award by the Nashville Songwriters Association Intl.; this is his debut recording. Eight of the songs were co-written by Chris and his producer Ralph Carter. Two more were written by Chris (a.k.a.Chris Wirthwein) and […]
Steve Dawson Ghosts Pravda Well over a decade ago, closer to two, at SXSW I witnessed an impressive performance by Steve Dawson, fronting his Chicago-based band, Dolly Varden. Yes, that Steve Dawson, not to be confused with roots, blues, and folk-rocker, Canadian and Nashville-based Steve Dawson. The former has released several solo albums too and […]
Damon Fowler Barnyard Smile Landslide Barnyard Smile is the renowned slide guitarist and singer-songwriter Damon Fowler’s ninth release and third for Landslide Records. Fowler offers a handful of soul driven originals, plus innovative Bo Diddley and Jerry Reed covers and a touch of Americana roots rock. Those not familiar with Fowler’s solo work may recall […]
Anna Tivel Living Thing Fluff & Gravy Living Thing is singer-songwriter Anna Tivel’s sixth full-length studio album of original material. The album is existential yet relatable, and keenly provocative. During the pandemic, Tivel collaborated as she has done in the past with longtime friend, producer, and multi-instrumentalist Shane Leonard, ultimately recording the album at his […]
Laurie Lewis Trees Spruce and Maple Music Laurie Lewis is an icon in the worlds of bluegrass, old time, and folk, a mentor to such vital artists of today such as Molly Tuttle and an inspiration to peers which Linda Ronstadt and Kathy Mattea, as just a couple of examples. Longtime fans of Lewis know […]
Freddie Trujillo I Never Threw a Shadow At It Self-released I Never Threw a Shadow At It is Portland-based singer-songwriter Freddy Trujillo’s fourth solo release. Trujillo is also the bassist for The Delines and Richmond Fontaine, two bands that this writer enjoys. Like his previous releases, Trujillo digs deep into his personal experiences growing up […]
Grant Langston aLAbama Self-released The Stetson atop Grant Langston’s head on the cover photo, along with the not-so-subtle title screams country music, but there’s a lot more here than those suggest. This veteran, heretofore uncovered by this writer, is no newcomer. This is his tenth album, a mix of contemporary themes and pure honky-tonk, presaging […]
Pokey LaFarge Rhumba Country New West Pokey LaFarge has crafted perhaps the best ‘feel good’ album of the year so far with the tongue-in-cheek titled Rhumba Country, a sarcastic jab at trying to conveniently pigeonhole music into defined genres. Here he embraces music from many areas of the globe, including mambo, tropicalia, rocksteady, and early […]
Chick Corea and Béla Fleck Remembrance Self-released by Béla Fleck Given that the late Chick Corea’s recording engineer Bernie Kirsh documented nearly every Chick Corea performance live or in the studio, we can expect to hear more from Corea in the future, as we have been since his passing. Yet, the driving force behind this […]
Dana Cooper The Ghost of Tucumcari Self-released Dana Cooper is treating The Ghost of Tucumcari as a celebration of 50 years in the music business and these luminaries – Lyle Lovett, Shake Russell, Hayes Carll, Susan Gibson, Libby Koch, Mando Saena, Darden Smith, David Starr, and Gillian Tuite all participate. Another key aspect of this […]
Stephanie Sammons Time and Evolution Self-released Time and Evolution is the full-length debut for Texas-based singer-songwriter Stephanie Sammons, produced by provocative singer-songwriter Mary Bragg with an assist on certain songs from Guy Clark sidekick, Verlon Thompson. Those two lend some cred but these folk-based songs are all from Sammons’ pen, a set of honest, thought-provoking […]
Anders Osborne Picasso’s Villa 5th Ward/Missing Piece Records New Orleans-based singer-songwriter Anders Osborne returns with Picasso’s Villa after a five-year hiatus. Remarkably, it marks his seventeenth album. The singer-songwriter-guitarist has achieved almost living legend status in the Crescent City but somehow has never reached the widespread appeal that his talent deserves in a career that […]
Heather Little By Now Need To Know Heather Little was a new name to this writer and to most of you. She’s only released one album, 2013’s Wings Like These. Yet, when viewing the musicians and vocalists in the liners, the likes of Audley Freed, Duke Levine, Jared Tyler, Paul Griffith, Eamon McLoughlin, Patty Griffin, […]
