Seth Walker’s album “Why the Worry” embodies a blend of personal struggle and artistic expression, inspired by the hardships faced by his community. With five original songs and six cohesive covers, Walker showcases his versatility through various musical styles. Co-produced with Jano Rix, the album features standout collaborations and captures a serene yet insightful essence, affirming Walker’s talent.
Red Camel Collective’s debut album showcases the seasoned skills of its quartet, previously backing Junior Sisk. Fusing bluegrass and classic country, the album features ten tracks, half originals, half covers. Highlighting themes of joy and self-acceptance, standout songs include “Daughter of the Stars” and a vibrant take on Charley Pride’s “Roll on Mississippi.”
Mike Farris returns with his album The Sound of Muscle Shoals after a seven-year hiatus, featuring nine original songs and two covers. Produced by Rodney Hall, the album showcases Farris’s dynamic voice and rich instrumentation. It captures the essence of southern soul, proving to be his most accomplished work to date.
Geoff Achison’s album “Don’t Play Guitar Boy” showcases his exceptional guitar skills and songwriting in an acoustic format without overdubs. The twelve original songs blend folk and blues, reflecting his personal experiences and emotions. Achison’s artistry resonates deeply, drawing comparisons to notable musicians while celebrating his 30-year career in music.
Rev. Peyton’s Big Damn Band releases their 12th album, “Honeysuckle,” featuring a blend of original and classic country blues. The vibrant sound is crafted at their Kentucky home, showcasing Rev. Peyton’s powerful storytelling and musicianship. With guest artists and raw energy, they celebrate the blues’ enduring legacy and innovation.
Tommy Castro & The Painkillers’ album “Closer to the Bone” showcases a blend of blues, R&B, and rock, featuring ten covers and four originals. Castro demonstrates his dynamism as a vocalist and guitarist, aided by notable guests. This album is poised to delight blues enthusiasts, encouraging a jubilant response.
Larkin Poe’s seventh album, Bloom, showcases the Lovell sisters’ evolution from bluegrass prodigies to masters of a signature roots-rock sound infused with blues and pop elements. Entirely self-produced, the album features dynamic tracks like “Mockingbird” and “Easy Love Pt. 1,” highlighting their songwriting prowess, vocal harmony, and instrumental versatility.
Tom Clarke’s list of Ten Favorite Roots and Blues Albums of 2024 highlights a spectrum of contemporary and traditional influences within the genre. Featuring both legendary and emerging artists, the selections showcase powerful lyrics, soulful instrumentation, and the ongoing significance of roots and blues music through innovative sounds and heartfelt performances.
The Owsley Stanley Foundation presents “You’re Doin’ Fine – Blues at the Boarding House,” a three-CD set featuring John Hammond’s live performance from June 2nd & 3rd, 1973. The release showcases 45 songs, demonstrating Hammond’s exceptional skills as a blues interpreter, while the inclusion of audience interactions enhances the experience.
Star Motel: An American Music Experience features The J. & F. Band, blending influences from jazz, rock, and blues. The album, produced by Fabrizio Perissinotto, showcases intricate musicianship, highlighted by Jaimoe’s jam and various interpretations, including a vibrant take on “Route 66.” It’s essential for adventurous music enthusiasts and Allman Brothers fans alike.
Blue Moon Marquee, the duo of A.J. Cardinal and Jasmine Collette from Alberta, Canada, celebrates their tenth anniversary with “New Orleans Sessions,” their sixth album. Recorded live in New Orleans, it features original compositions and historic blues. The album showcases their seamless blend of styles and strong performances, promising to earn accolades.
The Allman Brothers Band’s final concert on October 28, 2014, at New York’s Beacon Theater showcased their musical prowess across three sets. Spanning various styles and featuring classic songs, the performance highlighted the band’s storied history and camaraderie. This memorable event marked their closure with heartfelt tributes and intense musicianship.
Warren Haynes’ “Million Voices Whisper” features eleven uplifting songs reflecting transformation and resilience. His passionate guitar work and distinct vocals are complemented by a talented band, including Derek Trucks. The album encapsulates various styles, blending blues and R&B, while exploring themes of love, loss, and resilience in contemporary society.
Hayes Carll and The Band of Heathens collaborate to create a dynamic musical experience, blending country and rock with exceptional songwriting and performances. Their debut features clever, humorous tracks marked by harmonious vocals and distinct styles, suggesting a promising partnership that could earn them supergroup status. Notably, the album highlights Carll’s artistic evolution.
A live set from the Gregg Allman Band at Uncle Sam’s in Boston, recorded on July 1st, 1983, has been released seven years after Gregg Allman’s passing. This inaugural release includes nine tracks, featuring Allman Brothers Band classics and solo pieces. Key contributors include former Allman Brothers members Dan and David Toler.
“Paradise Breakdown” by Randall Bramblett showcases his unique blend of blues, folk, gospel, rock, and soul through deeply drawn characters and abstract situations. Accompanied by longtime collaborators, Bramblett continues his 50-year musical journey, offering soulful, robust vocals, and poignant songwriting. The album features standout tracks with themes of love, recovery, and life’s unpredictabilities.
Duke Robillard’s “Roll with Me” from Stony Plain Records is a vibrant blues album featuring both classic and original tracks. Robillard, a blues legend, enlists former and current Roomful of Blues members to deliver a powerful, nostalgic, and energetic set, showcasing his exceptional guitar skills and authentic blues spirit. Recorded 20 years ago, the album feels timeless.
Dickey Betts, a versatile musician, is honored with “Live From the Lone Star Roadhouse New York City 1988,” showcasing a full performance by the Dickey Betts Band. The recording includes classic and new songs, featuring guest appearances by Rick Derringer, Jack Bruce, and Mick Taylor. This album highlights Betts’ exceptional guitar skills and rich musical legacy.
Joe Ely, a pioneer of the progressive country scene from Austin, Texas, releases his 17th solo album, Driven to Drive. This acoustic-centered collection features Ely’s strong vocals and storytelling, supported by musicians like Joel Guzman and Bruce Springsteen. The album revisits themes of wanderlust and motorized travel, blending genres from blues to rock.
AJ Lee & Blue Summit’s third album, City of Glass, blends California’s country-folk and mountain bluegrass, showcasing exceptional artistry. With confident songwriting and performances, the album has a natural sound produced by Lech Wierzynski. Highlights include empowering anthems like “Hillside,” heartfelt laments, and rollicking tunes. This could be their breakout recording.
Snake Oil King is Widespread Panic’s first album in nine years, featuring six eloquent songs showcasing the band’s musical talents. The album highlights the unique contributions of each member, blending styles and genres. With emotionally evocative lyrics and melodies, it captivates audiences both within and beyond the jam band community.
“Thankful” by Jack Pearson features spiritually rooted and inspiring songs showcasing Pearson’s exceptional musical talent. Known for his roles in The Allman Brothers Band and as a session guitarist, Pearson recorded all instruments and vocals on the album. Songs like “Sign of the Times” and “It’s All About You” display his diverse style and virtuosic string skills.
“Struck Down,” the 16th album by The Fabulous Thunderbirds, marks their 50th anniversary with nine new tracks and a cover of Memphis Minnie’s “Nothing in Rambling.” Kim Wilson’s harmonica prowess and collaboration with guitarist Steve Strongman shine, alongside guest contributions from Taj Mahal, Bonnie Raitt, and ZZ Top’s Billy F. Gibbons.
Black Country Communion V If Joe Bonamassa were a baseball player, he would make all four umpire’s heads spin by the way he slides from base to base. Original, blues-based rock music, classic American blues, British rock and blues, R&B, and even acid funk; you name it, and Bonamassa plays and sings it exceptionally well. […]
Jesse Dayton The Hard Way Blues Hardcharger / Blue Elan Records Ever see the TV show Somebody Feed Phil? When Phil Rosenthal (the man behind the historic sitcom Everybody Loves Raymond) becomes especially excited by some kind of ethnic food during an episode, he shakes his hands up on the sides of his head and […]
Greensky Bluegrass The Iceland Sessions with Holly Bowling Thirty Tigers Handmade music this multifaceted, fearless, and inspiring, guarantees a listener’s immersion in the experience right along with the players—repeatedly. Greensky Bluegrass, out of Kalamazoo, Michigan 24 years ago, somehow manage to raise their own bar each time they record. Last summer, they took to a […]
Little Feat Sam’s Place Hot Tomato Productions / MRI Little Feat’s 55 years have encompassed a colorful mélange of seven configurations, 13 members including nine singers, and six of them principal lead singers. Their music has traversed a spectrum from garage rock and roll to the blues, country, impressionistic jazz, and swamp-drenched and New Orleans-styled […]
Chris Badnews Barnes Badnews Travels Fast Gulf Coast Records “Hokum,” according to Webster’s: a word probably created as a blend of “hocus-pocus” (meaningless talk or activity) and “bunkum” (nonsense). “Hokum blues,” as defined on Wikipedia: “A particular song type of American blues music which uses extended analogies or euphemistic terms to make humorous, sexual innuendos.” […]
Cris Jacobs One of These Days Soundly Music From 2001 until a final Thanksgiving bash ten years later, the highly gifted singer, songwriter, and guitarist Cris Jacobs led Baltimore’s The Bridge, a sextet that linked rock, blues, funk, folk, and bluegrass in unique, jam-inspired style. The band generated enough critical acclaim and wide appeal to […]
The Wicked Lo-Down Out of Line Gulf Coast Records The Wicked Lo-Down snaps, crackles, and smokes ‘em from one end to the other on their second album, Out of Line, a set of songs not to be missed by fans of the kind of raucous, blues-based rock and roll laid down by the vintage Fabulous […]
Mike Zito Life Is Hard (Gulf Coast Records) Deeply personal tragedy has prompted Mike Zito to paint his masterpiece, the emotion of the loss of his wife to cancer last year shaping the twelve best performances of his life, by far. Awful how that happens, the impetus of real blues affecting an artist’s work. But […]
JJ Grey & Mofro Olustee Alligator Records Olustee is titled for the unincorporated town in north central Florida, west of JJ Grey’s Jacksonville home, which derives its name from the Seminole words for black water. Grey often salutes the aspects and virtues of his home state in song, and Olustee is rife with that homage. […]
The Dangerous Dan Toler Quartet Rained Out (WallyGator Music / Bearsloth Publishing) Guitarist Dangerous Dan Toler left an indelible mark on a good amount of great rock ‘n roll by his “dangerous” but sinuous style of playing. In the mid-1970s, Allman Brothers guitarist Dickey Betts recruited Toler to take part in his solo project, Great […]
Tinsley Ellis Naked Truth Alligator Records Atlanta’s Tinsley Ellis Offers Making a Scene Some Peeks Behind the Scenes of Naked Truth, His First All Acoustic Album “I still have that string!” The excitement Tinsley Ellis felt as a 15-year-old when B.B. King handed him his broken string from the stage resonates as if 51 years […]
The Allman Brothers Band Manley Field House, Syracuse University, April 7th, 1972 Allman Brothers Band Recording Company This latest archival release by the keepers of The Allman Brothers Band flame captures the iconic group doing what they did best during one of the unique, short-lived periods in their 45-year-long existence. Singer and keyboardist Gregg Allman, […]
Tom Clarke’s Top 10 Roots and Blues Albums of 2023 In No Particular Order Molly Tuttle & Golden Highway City of Gold Nonesuch A guitar prodigy, rousing songwriter, and vivacious singer, Molly Tuttle is the real deal wrapped up loosely and attractively in the whole package. Tuttle won the 2022 Best Bluegrass Album […]
Mike Zito & Albert Castiglia Blood Brothers Live in Canada Gulf Coast Records Mike Zito and Albert Castiglia’s Blood Brothers Live in Canada feaqtures ten of the eleven songs on their award-winning Blood Brothers studio album released earlier this year. But in no way is this a superfluous move. Zito and Castiglia’s sweltering blues/rock performances […]
Various Artists Warren Haynes Presents: The Benefit Concert Volume 20 (Evil Teen / Mascot Label Group) The Benefit Concert Volume 20 presents in grand style the 30th anniversary of Warren Haynes’ Christmas Jam, held over two nights in 2018 in his hometown of Asheville, North Carolina. Since 1988, Haynes has gathered friends from across an […]
Michelle Malone & The Hot Toddies Toddie Time SBS Records/BFD Snowflakes float on a chilly upstate New York Halloween morning, and this cheery and bluesy Christmas album creates a perfect soundtrack. Atlanta’s Michelle Malone & the Hot Toddies’ Toddie Time features inspired twists on the tried and true. Malone croons “Jingle Bells” clearly and with […]
Lisa Biales At Christmas Big Song Music Christmas music can unite, lift emotions, and relieve anything like a salve for the soul. At Christmas succeeds at it all. If we could all just ring some jingle bells together, right now. At Christmas, by Ohio native Lisa Biales (pronounced be-Alice), contains brand-new assorted-in-style treats, including “Christmas […]
Larkin Poe An Acoustic Companion Tricki-Woo Records When sisters Rebecca and Megan Lovell lead the roots and blues rockers Larkin Poe, they inject their Southern Gothic-bred songs with high octane-addictive, modern pop gas. But around the time of the pandemic, the sisters flooded social media with videos of themselves as an acoustic duo in […]
Joe Bonamassa Blues Deluxe Vol. 2 J&R Adventures Joe Bonamassa cannot possibly have an off switch, only one that adjusts the mode. If he’s not out promoting an album onstage somewhere in the world, he’s likely in a studio working on the next one. Blues Deluxe Vol. 2 marks his 51st in 23 years, considering […]
Jason Ricci and the Bad Kind Behind the Veil Gulf Coast Records Jason Ricci and the Bad Kind. What a suitable, vivacious name for this bunch, given all the ins and outs and ups and downs crisscrossing Ricci’s story. Ricci’s traits include being an on again off again drug abuser, and a spiritual, openly […]
The Count Basie Orchestra, Directed by Scotty Barnhart (with Guests) Basie Swings the Blues Candid Records (assisted by Alligator Records) ‘There ain’t nothin’ wrong with havin’ a good ol’ time,’ Mr. Sipp urges in “Let’s Have a Good Time,” the hip-shaking opening number to Basie Swings the Blues. Sipp, the saucy, dapper, alter ego of […]
Joyann Parker Roots Hopeless Romantics Records Too often an artist that takes on this amount of variety in style for one project ends up presenting a flat experience. Not Joyann Parker with Roots. Not by a country mile and a half. Few shift so fluidly between rock, country, blues, hard and smooth soul, and even […]
Bill Connell with John Lynskey Forward by Chuck Leavell Allman Joy: Keeping the Beat with Duane and Gregg Mercer University Press Tuscaloosa, Alabama native Bill Connell lived a fulfilled, rollercoaster ride of a life that included playing the drums for, and on bills with, several significant names in the annals of rock and roll. […]
Coco Montoya Writing on the Wall Alligator As Coco Montoya shouts ‘Baby, baby,’ at the outset of “I was Wrong,” his guttural voice rings a Warren Haynes kind of bell. But it quickly becomes clear by his molten tears of regret and exquisite stabs at his guitar that this is Montoya’s own church of soul-baring […]
Willie J. Campbell Be Cool Blue Heart Records Sadly, the celebrated blues bassist Willie J. Campbell passed away last December from ALS while making this album, ultimately titled Be Cool for the phrase the affable musician often used and lived by. Recorded at Dockside Studio in Louisiana, the recordings were completed by the core […]
Molly Tuttle & Golden Highway City of Gold Nonesuch Play the last song of this dazzling bluegrass adventure first. Throughout “The First Time I Fell in Love,” a lilting “Mr. Bojangles”-like melody carries Molly Tuttle’s soul baring recollections of being a teenager. Tuttle was diagnosed with Alopecia as a three-year-old, and it quickly advanced to […]
Alan Paul Brothers and Sisters: The Allman Brothers Band and the Story of the Album that Defined the ‘70s St. Martin’s Press Acclaimed music columnist and author Alan Paul has covered The Allman Brothers Band and its offshoots for much of his career. He previously wrote the New York Times bestseller, One Way Out: The […]
