Tom Clarke

A Tribute to the King of Zydeco celebrates Clifton Chenier’s influence on American music, featuring The Rolling Stones and various artists honoring his legacy. The album, produced by C.C. Adcock, combines zydeco with artists’ diverse styles while supporting a scholarship in Chenier’s name. It highlights his innovative contributions and vibrant musical spirit.

Larry McCray’s “Heartbreak City” showcases his soulful blues mastery through ten new tracks. Opening with “Try to Be a Good Man,” McCray addresses values while reflecting on his upbringing. The album, supported by producers Joe Bonamassa and Josh Smith, features a strong band and heartfelt themes, establishing McCray as a prominent figure in soul-blues-rock.

Gregg Allman’s concert on May 15, 1984, at a D.C. club showcased his unique blend of emotional blues and R&B. Supported by a talented band, Allman delivered powerful performances of both solo and Allman Brothers songs. This archival release highlights his enduring legacy and exceptional musicality, marking a significant chapter in his career.

Charlie Musselwhite, at 83, showcases his enduring talent in his 43rd album, Look Out Highway. Blending raw, electrified blues with personal themes, he delivers heartfelt songs that highlight his rich experience. Collaborating with a skilled band, Musselwhite’s masterful harmonica playing and singing affirm his iconic status in contemporary blues music.

Tim Gartland’s sixth album, “Right Amount of Funky,” showcases his deep blues roots and exceptional harmonica skills with a blend of influences from Chicago to Nashville. The eight tracks feature engaging stories and tight band performances, highlighting songs like “A Better Life” and “Walk Away.” This album promises to resonate with blues enthusiasts.

Seth Walker’s album “Why the Worry” embodies a blend of personal struggle and artistic expression, inspired by the hardships faced by his community. With five original songs and six cohesive covers, Walker showcases his versatility through various musical styles. Co-produced with Jano Rix, the album features standout collaborations and captures a serene yet insightful essence, affirming Walker’s talent.

Mike Farris returns with his album The Sound of Muscle Shoals after a seven-year hiatus, featuring nine original songs and two covers. Produced by Rodney Hall, the album showcases Farris’s dynamic voice and rich instrumentation. It captures the essence of southern soul, proving to be his most accomplished work to date.

Geoff Achison’s album “Don’t Play Guitar Boy” showcases his exceptional guitar skills and songwriting in an acoustic format without overdubs. The twelve original songs blend folk and blues, reflecting his personal experiences and emotions. Achison’s artistry resonates deeply, drawing comparisons to notable musicians while celebrating his 30-year career in music.

Rev. Peyton’s Big Damn Band releases their 12th album, “Honeysuckle,” featuring a blend of original and classic country blues. The vibrant sound is crafted at their Kentucky home, showcasing Rev. Peyton’s powerful storytelling and musicianship. With guest artists and raw energy, they celebrate the blues’ enduring legacy and innovation.

Tommy Castro & The Painkillers’ album “Closer to the Bone” showcases a blend of blues, R&B, and rock, featuring ten covers and four originals. Castro demonstrates his dynamism as a vocalist and guitarist, aided by notable guests. This album is poised to delight blues enthusiasts, encouraging a jubilant response.

Larkin Poe’s seventh album, Bloom, showcases the Lovell sisters’ evolution from bluegrass prodigies to masters of a signature roots-rock sound infused with blues and pop elements. Entirely self-produced, the album features dynamic tracks like “Mockingbird” and “Easy Love Pt. 1,” highlighting their songwriting prowess, vocal harmony, and instrumental versatility.

The Owsley Stanley Foundation presents “You’re Doin’ Fine – Blues at the Boarding House,” a three-CD set featuring John Hammond’s live performance from June 2nd & 3rd, 1973. The release showcases 45 songs, demonstrating Hammond’s exceptional skills as a blues interpreter, while the inclusion of audience interactions enhances the experience.

Blue Moon Marquee, the duo of A.J. Cardinal and Jasmine Collette from Alberta, Canada, celebrates their tenth anniversary with “New Orleans Sessions,” their sixth album. Recorded live in New Orleans, it features original compositions and historic blues. The album showcases their seamless blend of styles and strong performances, promising to earn accolades.

The Allman Brothers Band’s final concert on October 28, 2014, at New York’s Beacon Theater showcased their musical prowess across three sets. Spanning various styles and featuring classic songs, the performance highlighted the band’s storied history and camaraderie. This memorable event marked their closure with heartfelt tributes and intense musicianship.