DD McNeil

Andrew Hill Sextet Plus Ten’s “A Beautiful Day, Revisited” showcases Andrew Hill’s genius through enhanced live recordings from his Birdland performances in 2002. The double disc features original compositions and improvisational depth, highlighting Hill’s legacy in modern jazz and his exceptional skills as a composer and pianist.

Kristin Korb’s album “Sweet Dreams” creatively reinterprets Eurythmics’ songs through jazz arrangements, showcasing her talents as a bassist, vocalist, and arranger. Drawing inspiration from fan favorites and Eurythmics’ catalog, Korb transforms iconic tracks into captivating jazz pieces, celebrating both the original music and her own artistry in a male-dominated genre.

Maria Schafer’s album “Here For You” showcases her jazzy compositions, including original songs and arrangements. Accompanied by talented musicians, the album features lively tracks like “You Said It” and “Release Me.” Schafer, an emerging vocalist and songwriter, continues to impress with her creativity and unique style, promising a bright future in music.

The Visions Jazz Ensemble, led by Sam Butler and Garrett Fasig, presents a unique album featuring modern jazz arrangements of college fight songs. With notable contributions from musicians like Wycliffe Gordon, the project blends historical melodies with contemporary jazz, showcasing the evolution of the genre while celebrating its roots.

Randy Hoexter’s album “Tomorrowsville” showcases contemporary jazz with classical influences, featuring a talented ensemble. Notable tracks include “Rosetta Stone,” blending North African rhythms, and “The Dragonfly,” evoking flight. Hoexter’s tribute to Horace Silver, “Argentum,” shines with intricate horn lines, while “Diaspora” and “Particle Accelerator” emphasize rhythmic vitality and hope.

Margaret Slovak and Chris Maresh create soothing music with nylon string guitar and acoustic bass, emphasizing harmony and warmth. Their album features traditional holiday tunes alongside unique arrangements, aiming to provide comfort and peace. The duo’s synergy offers a fresh interpretation of familiar songs, making it perfect for seasonal gatherings.

Zach Adleman’s debut album features a talented ensemble with Adleman on drums and composition, producing a blend of powerful melodies and grooves. The tracks reflect personal narratives and landscapes, showcasing improvisation and instrumental highlights. With compelling arrangements, the album is a testament to excellence in contemporary jazz.

The Joymakers’ album “Down Where the Bluebonnets Grow” showcases a vibrant blend of New Orleans jazz, traditional jazz, and bluegrass influences. Musicians like Colin Hancock and Lauryn Gould deliver lively performances, recalling the nostalgic sounds of the 1920s and 1930s. The music is joyful and engaging, providing a fresh appreciation for this under-recorded genre.

Samara Joy’s album “Portrait” showcases her vocal talent and lyricism, featuring a mix of Latin arrangements and innovative compositions. Her unique approach shines through in tracks like “Reincarnation of A Lovebird.” The album highlights her growth as an artist, revealed by heartfelt lyrics and collaborative energy with her skilled band.

Dwayne Clemons’ album “Center of Gravity: Live at Smalls” features a talented ensemble celebrating his three-decade connection to Smalls club. His early musical influences shaped his journey, leading to a tumultuous past, including prison time. Now based in Copenhagen, this album showcases his exceptional talent in a heartfelt homecoming.

Edison Herbert’s album “All I Need” features a blend of original compositions and covers, including “My Cherie Amour.” The smooth jazz style showcases Herbert’s guitar prowess but lacks a strong drumming backbone. While the original tracks are engaging, a more supportive production could elevate Herbert’s notable talent further.

Geof Bradfield’s tenth album, “Colossal Abundance,” features a 12-piece ensemble performing his original compositions alongside works by jazz greats. Drawing inspiration from the mbira music of Zimbabwe, Bradfield incorporates African rhythms and spiritual themes, showcasing his mastery of woodwinds. The album blends cultural richness with imaginative arrangements, reflecting deep musical exploration.

“Sanctuary,” the second co-led album by violinist Jason Anick and pianist Jason Yeager, blends European classical and American jazz, reflecting personal evolution during chaotic times. The duo authored half the tracks, showcasing creativity and emotional depth. Featuring talented musicians, the album strikes a compelling balance between sensitivity and vibrant improvisation.

Swedish trumpeter Erik Palmberg’s new CD “Faces” has topped Sweden’s jazz charts, showcasing the quartet’s strong musical connection since 2018. The album features original compositions, blending various styles. With standout performances from each member, it highlights Palmberg’s unique voice in jazz, though some tracks lack rhythmic drive.

Ben Waltzer’s “The Point” marks his return as a leader in Chicago’s vibrant jazz scene after moving from New York. Joined by Geof Bradfield, Clark Sommers, and Dana Hall, the album features original compositions and inventive arrangements. Each track blends melody and emotion, showcasing the quartet’s talent and chemistry.

Sahara von Hattenberger’s double album “1Q84” showcases exceptional chamber music featuring a talented trio with Joanne Kang on piano, Adrian Vedady on bass, and Jim Doxas on drums. The album merges jazz and classical elements, celebrating themes of change and resilience, while also reflecting on contemporary challenges and hope.

Steve Sieck’s album, “Crazy That Way,” showcases his songwriting talent and versatile style, blending jazz, pop, and R&B influences. Produced by Dori Amarilio, it features original songs with relatable lyrics and emotional storytelling. Highlights include the Brazilian-influenced “The Mystery of Love” and the humorous title track, reflecting Sieck’s creative depth.

“The Journey of Han” by John Chin, Jeong Lim Yang, and Jongkuk Kim explores Korean American identity through jazz, capturing emotions ranging from sorrow to liberation. Featuring compositions highlighting Chin’s piano mastery, Yang’s impressive bass solos, and Kim’s drumming, the album is rich in talent and emotion, showcasing diverse styles and cultural influences.

Laila Biali’s “Wintersongs,” her tenth album, showcases her talent as a vocalist and composer, developed during a winter stay in the Rocky Mountains. The album blends pop and chamber music with warm, serene melodies. Featuring rich orchestration and contributions from various musicians, it offers a beautifully crafted listening experience, including seasonal favorites.

Al Jarreau’s recording with the NDR Bigband captures a vibrant concert experience, featuring his last performances before his passing in February 2017. The recording showcases his improvisational talents on classic pieces like “Lush Life” and “A-Train.” This historical project celebrates both Jarreau’s legacy and the outstanding NDR Bigband.

Andy Baker’s debut for Calligram Records showcases his trombone mastery alongside Chicago jazz veterans Russ Johnson, Clark Sommers, and Dana Hall. Their chord-less quartet format highlights improvisation, particularly in Baker’s interpretations of classic tunes and original compositions. The album pays tribute to Baker’s influences, offering an exploratory jazz experience.

Rich Halley’s latest album, “Dusk & Dawn,” features his quartet with Michael Vlatkovich, Clyde Reed, and Carson Halley. Combining original compositions with spontaneous improvisations, the album showcases their collaborative spirit and musical chemistry. The track “The Return” exemplifies their dynamic interplay, creating an engaging experimental jazz experience.

Jocelyn Gould’s “Portrait of Right Now,” featuring her ensemble, showcases her distinguished style as a contemporary jazz guitarist. This fourth album, a blend of ten tracks—eight originals—exhibits her skill and creativity, drawing influence from jazz legends. Gould’s vibrant performances on guitar elevate her significant presence in modern jazz.

Brian Lynch’s album “7X7by7” features seven musicians and seven original seven-minute tracks, all crafted during the pandemic. This project highlights Lynch’s life experiences and musical journey, showcasing individual talents within the ensemble. Celebrating the significance of the number seven, the album is set for release on October 25, 2024.

Mavis Pan’s album “Rising” blends classical and chamber music with touches of jazz, highlighted by intricate horn and flute solos. Born in Taiwan and trained internationally, Pan offers a varied musical background. While her compositions are classical, the jazz influence is featured in certain tracks, showcasing both complexity and emotional depth.

Naomi Moon Siegel’s album “Shatter the Glass Sanctuary” showcases her skills as a trombonist and composer, blending modern and free jazz with emotional depth. Each track offers unique instrumental arrangements, highlighted by contributions from her talented ensemble. Siegel’s work is influenced by personal experiences, reflecting a journey of emotional and cultural exploration. Her accolades affirm her innovative approach and contributions to jazz.

Teri Parker’s Free Spirits, a Toronto-based jazz group formed in 2019, pays tribute to pianists Mary Lou Williams and Geri Allen. Their album features compositions by Parker and Allen, blending jazz with diverse styles. Notable tracks include “Unconditional Love” and “Survival,” with spoken word elements exploring contemporary themes. The group showcases artistic innovation and historical influences.

Vivian Buczek’s “Le Grand Michel,” due for release on October 25th, honors Michel Legrand’s compositions, showcasing her jazz flair alongside musicians like Mathias Heise and Martin Sjöstedt. Buczek’s emotive vocals shine, especially on tracks like “The Windmills of Your Mind.” The album includes both Legrand classics and an original by Peter Asplund.

Filippo Dall’Asta, an Italian guitarist, merges modern Gypsy Jazz with unique arrangements on “The Hot Club of Tenerife” album. Featuring classic jazz standards and original compositions, the album showcases a blend of rich Romani influences and modern elements. With performances across Europe, Dall’Asta captures joyful rhythms and innovative twists in this vibrant musical collection.

In “Urban Chaos,” Nick Adema, a Canadian trombonist based in Amsterdam, explores themes of life and loss following his mother’s passing. The album features varied compositions with contributions from talented musicians, including string quartets and horns, emphasizing Adema’s trombone prowess and blending jazz with emotional depth and innovation.

Dharma Down Records’ debut album “Owl Dreams” features Duncan Hardy on alto saxophone/Qanun, Mike Effenberger on piano, Scott Kiefner on acoustic bass, and John Mettam on drums. The music blends American jazz with Middle Eastern and Eastern Asian influences, showcasing the diverse backgrounds of the musicians. The album, releasing on October 11, 2024, promises a global appeal with its original compositions.

Delfeayo Marsalis’ “Crescent City Jewels” is a vibrant big band album that celebrates New Orleans’ rich musical heritage. Featuring both veteran musicians and rising stars, the Uptown Jazz Orchestra delivers a joyful collection of songs blending jazz, R&B, and Creole influences. Highlights include Tonya Boyd-Cannon’s “Sleeping Bee” and a fresh take on “Ooh Poo Pah Doo.”

Daniel Pardo’s album “Ese Momento” features twelve boleros, blending classical melodicism, jazz sophistication, and Latin rhythms. Produced with pianist Sergio Pamies and the Czech National Symphony Orchestra, the album showcases Pardo’s versatile flute performance and highlights like “Como Fue,” “Sabor A Mi,” and “Bebo.” It reflects cultural diversity and musical mastery.

Paul Kendall’s “Live at Vic’s Jazz Loft,” featuring a mix of live and studio recordings from early 2023, showcases Kendall’s tenor saxophone alongside Marc Neely, Patrick Poladian, Roy Cumming, Rudy Petschauer, and Dan Kostelnik. Notable tracks highlight both drummer-inclusive and drum-less performances, emphasizing Kendall’s versatility and intensity in different settings.

Frédéric Viale’s eighth album, “Caméléon,” showcases his unique style on the accordion through solo performance. This album blends various genres, emphasizing his jazz influence even in traditional pieces. Viale’s mastery, improvisational skills, and emotional sincerity shine through 19 tracks, including eight original compositions and creative arrangements, making it an unforgettable experience.

Peter Bernstein’s new album “Better Angels,” released under Smoke Sessions Records, features a talented lineup including drummer Al Foster, pianist Brad Mehldau, and bassist Vicente Archer. The album mixes Bernstein’s original compositions with classic standards, showcasing his exceptional guitar skills and the improvisational genius of the quartet. This collaborative project highlights Bernstein’s intent to capture fresh interpretations and dynamic musical interplay.

Gino Amato’s debut album “Latin Crossroads” showcases his talent as a bandleader and arranger, featuring Latin orchestrated versions of familiar songs. Collaborating with Oscar Hernandez, Amato integrates vocals, strings, and horns to deliver vibrant and emotional interpretations. The album displays a wide repertoire reflecting Amato’s diverse musical background and expertise.

The previously unreleased album “Grande-Terre” by Roy Hargrove’s band Crisol will be released on October 18, 2024, commemorating Hargrove’s 55th birthday. This Grammy-winning ensemble’s energetic studio session from 1998 captures their unique blend of jazz, Afro-Cuban rhythms, and funk. The first single, “Priorities,” showcases their dynamic sound.

Rebecca Kilgore’s album “A Little Taste” features her seasoned vocals, paired with lush arrangements and the music of Dave Frishberg. The recording is highlighted by a talented ensemble. Kilgore’s storytelling through song, accentuated by sweeping strings and excellent musicianship, offers a swinging, easy-listening experience. The album releases October 28, 2024.

Dawn Clement, Steve Kovalcheck, and Jon Hamar form a drum-less jazz trio, presenting a nuanced blend of contemporary jazz through intricate interplay between piano, guitar, and bass. Their compositions range from soothing, moderate tempos to rhythmic Latin influences, culminating in a unique, easy-listening jazz style appreciated for its peacefulness and musical depth.

Stephane Wrembel’s “Triptych Phase 1” is part of a trilogy album showcasing three life stages. Wrembel, a master guitarist influenced by classical, rock, gypsy Romani music, and jazz, collaborates with prominent musicians like Jean-Michel Pilc. The album features original compositions and classics, highlighting Wrembel’s exceptional musical versatility and artistry.

T.K. Blue’s latest album, “Planet Bluu” on Jaja Records, features compositions reflecting diverse Afro-diasporic influences. Comprising nine original tracks, it showcases his proficiency on multiple instruments. Highlights include “The Hue of Bluu,” “Valley of the Bluu Rose,” and “Turquoise Bluu.” Blue aims to envision a harmonious, ideal world through his music.

The “Run the Gauntlet” album by Kris Davis, featuring Robert Hurst and Jonathan Blake, is a tribute to six influential female pianists. Davis composed all the music, reflecting her mentors and her son’s growth. Praised for her unique style and creativity, Davis has received numerous awards and continues to innovate in jazz.

David Weiss’ album “Auteur” showcases his talents as a trumpeter, composer, and bandleader. Featuring his compositions and a spirited ensemble, the album highlights Weiss’ mastery and influences from bebop and post-bop eras. Through complex harmonies and dynamic arrangements, Weiss demonstrates his artistic vision and commitment to innovative jazz storytelling.

Micah Thomas’s album “MOUNTAINS” showcases his compositions from a 2022 residency at The Jazz Gallery, recorded over four live sets. Featuring notable jazz musicians, it aims to create a cathartic experience. Highlights include the dynamic fourteen-minute track “Life,” and pieces like “Processing,” “Libre,” and “No Answer,” which display Thomas’s innovative and boundary-pushing style.

Leslie Pintchik’s album “Prayer For What Remains” features eight original compositions and covers of Joni Mitchell’s “Banquet” and Lennon/McCartney’s “I Will.” Inspired by a poignant war photo, the music is a blend of pensive, blues-infused, and energetic tunes showcasing the talents of her quintet. The album’s vibrant cover depicts their camaraderie.

Jeff Rupert’s “It Gets Better” album showcases his warm tenor saxophone tone and features compositions blending with covers, played by an all-star band. Highlights include “Pharoah’s Daughter,” “Like Someone in Love,” and “Nowhere to Go But Up,” demonstrating skill and creative freedom, resulting in a joyful listening experience.

Anne Sajdera’s album “It’s Here” features her compositions and piano performances with a talented ensemble. Highlights include tracks like “Stella By Starlight,” “Three Color Study,” and “Bounce.” Sajdera’s compositions are well-crafted, blending various musical genres. Reviewer Dee Dee McNeil praises her exceptional piano technique and lyrical sensitivity.