Bria Skonberg’s album “What It Means,” reviewed by Dee Dee McNeil, is a tribute to New Orleans jazz, blending traditional and contemporary elements. Featuring standout trumpet performances and collaborative tracks with notable musicians, the album highlights Skonberg’s versatility as a vocalist, composer, and trumpeter, reminiscent of Louis Armstrong’s influence.
Michael Eaton’s album “Individuation” showcases modern jazz with experimental elements. The band features Eaton on saxophones, creating dissonant compositions with intricate improvisations. Drummer Shareef Taher shines in “Folk Song,” while Judi Silvano adds haunting vocals to “Alterpiece No. 1.” The project, composed by Eaton, spans eight years and three tours, culminating in a distinctive sound.
Greg Amirault’s album “A Change of Pace” features six original compositions and various standards, showcasing his smooth, inviting jazz guitar style. Supported by Adrian Vedady on bass and Andre White on drums, the trio innovatively reinterprets familiar tunes and original pieces. Amirault, a renowned jazz guitarist in Canada, teaches at McGill and Concordia Universities.
Elizabeth Rodriguez and Magdelys Savigne, known as OKAN, merge Afro-Cuban Santeria music with jazz fusion, creating a unique female perspective in a traditionally male-dominated genre. Their album “Okantomi by OKAN,” praised for its compelling vocals and instrumentation, features notable collaborations and has garnered critical acclaim, including NPR and CBC recognitions.
Matt Booth, a prominent bassist from New Orleans, combines electric and upright bass on his album “Sun Prints.” Originally from Pittsburgh, Booth’s diverse music career led him to New Orleans, where he thrived in jazz. This album, featuring top musicians and styles from bebop to funk, releases August 23, 2024.
Jay D’Amico, a pianist, composer, and arranger, collaborates with bassist Marlon Martinez in blending jazz and European classical music. Their latest project, “Melodia,” features emotionally charged arrangements that merge intricate classical compositions with jazz elements. The album showcases a seamless duet harmony, highlighted by pieces such as “Melodia” and “Sonata for Piano & Bass.”
Ben Wolfe’s album, “The Understated,” features 10 original compositions performed by a talented ensemble. Highlights include Nicole Glover’s tenor sax on “The Poet Speaks,” Russell Malone’s guitar on “Occam’s Razor,” and notable solos by Orrin Evans. Wolfe, a renowned Juilliard professor, showcases his exceptional bass work and compositional prowess throughout.
ALEXIS COLE AND THE TAIPEI JAZZ ORCHESTRA JAZZ REPUBLIC; TAIWAN, THE UNITED STATES, AND THE FREEDOM OF SWING Tiger Turn Records Alexis Cole, vocals; Gene Aitken, conductor; Cheng-Yu Jimmy Lee, director/woodwinds; Kaoru Uno & Teresa You, piano; Daniel Chen, guitar; Ikeda Kinya, bass; Yi Hsuan Kuo, drums; Jhih Yu Shih, percussion; WOODWINDS: Ruby Pan, Justin […]
Fabio Rojas, a Venezuelan drummer and composer, narrates his musical journey and struggles as an immigrant through his album “Perseverance.” With tracks reflecting political stances, personal challenges, and Venezuelan folk influences, Rojas showcases his belief in persistence and adaptability, drawing parallels between his experiences and mythological and botanical symbols.
Warren Wolf’s album “History of the Vibraphone” features his dynamic vibraphone artistry alongside a talented quintet. Paying homage to legendary vibraphonists like Terry Gibbs, Lionel Hampton, and Bobby Hutcherson, Wolf curates a rich tapestry of jazz history. The album, reviewed by Dee Dee McNeil, releases on August 23, 2024.
“Alegria” by Shelly Berg features original compositions by the renowned pianist, joined by Carlitos Del Puerto, Dafnis Prieto, and Melvin Butler. The album showcases Berg’s piano talent and interaction with dynamic musicians, delivering joy and reflections. Highlights include “Home With You” and “Meatballs and Apple Pie,” blending jazz and blues.
Michael Dease’s album “Grove’s Groove,” honoring mentor Roy Hargrove, showcases his baritone saxophone prowess. Joined by an all-star band including Bill Cunliffe, Rodney Whitaker, and Terell Stafford, the album features bluesy tunes, a fresh take on “Tea for Two,” and the dynamic “Seiko Time.” Dee Dee McNeil reviews it as a standout project.
Wayne Escoffery’s album “Alone,” featuring Ron Carter, Gerald Clayton, and Carl Allen, showcases his smooth, tenor saxophone melodies and a softer side compared to his 2023 release. The album includes bluesy originals and reinterpretations, marked by captivating solos and intimate interplay among musicians, delivering a soothing, elegant jazz experience. Release date: August 30, 2024.
Youn Sun Nah’s album “ELLES,” produced by Warner Brothers Music, showcases her diverse musical journey, from classical training in South Korea to jazz and contemporary influences from France. Collaborating with Jon Cowherd, Nah explores genres through tracks like “Feeling Good” and “Cocoon,” highlighting female composers and artists, releasing August 30, 2024.
Rose Mallett’s “Dreams Realized” showcases her unique ability to reinterpret popular songs in a jazz style, featuring a diverse repertoire and collaborations with skilled musicians. Highlights include a jazz rendition of “Ain’t Nobody,” a bluesy “Feelin’ Good,” and an emotionally charged “It’s Impossible.” Mallett’s performances convey sincere emotion and personal significance.
Annie Booth and her trio celebrate The Beatles with her latest album, “Here, There and Everywhere,” her seventh release as a bandleader. Booth, a Denver-based pianist and educator, offers unique jazz arrangements of Beatles classics, showcasing her trio’s talents. The album, emphasizing authenticity and creativity, will be available on August 30, 2024.
Erik Friedlander’s two-CD set, featuring “Dirty Boxing” and “Floating City,” blends jazz with unique instrumentation and dynamic energy. “Dirty Boxing” draws inspiration from Friedlander’s fascination with mixed martial arts, while “Floating City” offers a tranquil, chamber music-like experience. This collection showcases Friedlander’s versatility as a cellist and composer. Reviewed by Dee Dee McNeil.
Jeff Coffin’s “Only the Horizon” features a myriad of talented musicians across various genres, blending contemporary jazz with African rhythms and R&B. The album is characterized by its repetitive, catchy melodies, intricate improvisations, and diverse instrumentation, providing a rich, culturally eclectic musical experience that leaves a lasting impression.
Livio Almeida’s “Brasilia Sessions” album exudes vibrant energy, starting with crowd noises and joyful voices. Featuring impressive solos and compositions like “Sambasus,” “Partido Cerrado,” and “Brasilia Afro Samba,” the album blends samba and Afro-Samba beats. Reviewed by Dee Dee McNeil, the album showcases Almeida’s tenor saxophone skill, composition prowess, and band synergy.
Philip Weberndoerfer’s album “Tides,” released by Shifting Paradigm Records, showcases his journey from Bavaria to New York City, inspired by a transformative encounter with guitarist Pat Martino. Featuring original compositions and performances by Dayna Stephens, Richard Mikel, and Peter Traunmueller, the album blends intricate melodies, improvisation, and blues influences.
The album “HAMILTON DE HOLANDA & GONZALO RUBALCABA: COLLAB” by Sony Music/Brazil features Afro-Cuban pianist Gonzalo Rubalcaba and Brazilian mandolinist Hamilton de Holanda, along with other artists. Highlighting original compositions and renowned works, the album showcases their exceptional jazz talents, masterful improvisations, and creative synergy, earning high praise for its brilliance and historic significance.
“Human Geography” by Michael Eckroth Group showcases compositions blending Latin rhythms, jazz, and African roots. Featuring vibrant percussion, improvisational piano, and energetic horns, the album highlights Eckroth’s unique style developed over a decade. The title signifies the cultural and geographical influences in the music, resulting in a refreshing fusion.
Enrico Granafei’s album “It’s Hard to Say Goodbye” showcases his multi-instrumental talent and compositions alongside contributions from renowned musicians. The album blends various genres, highlighting Granafei’s mastery of the chromatic harmonica and guitar. It features tributes to his mentor Toots Thielemans and compositions from fellow musicians, emphasizing Granafei’s innovative artistry.
IZE TRIO’s debut album, The Global Suites, blends jazz and Middle Eastern music by Chase Morrin, Naseem Alatrash, and George Lernis. Created during the COVID-19 pandemic, the album features four suites addressing social issues. Musically diverse and socially conscious, it offers unique, multicultural soundscapes and thought-provoking compositions. Special guests include John Patitucci and Farayi Malek.
Dr. Zachary Bartholomew, a renowned jazz pianist and professor at Florida Memorial University, debuts his album “Balancing Act” featuring original compositions. Accompanied by top musicians, Bartholomew blends multiple jazz genres. Tracks like “Crazy Socks” and “Hobo’s Lullaby” highlight his compositional and arranging talent, balancing varied rhythms and energies. Release date: August 2, 2024.
Jonathan Barber’s ensemble, Vision Ahead, presents their fourth studio album “In Motion,” featuring eight original compositions and two reprises. Recognized by Modern Drummer Magazine, Barber demonstrates a warm interplay of rhythm and melody. The album blends contemporary and modern jazz, showcasing Barber’s unique, complex style, distinct compositions, and instrumental harmony.
Geoffrey Keezer’s “Live at Birdland” marks his first live recording in over fifteen years, featuring John Patitucci and Clarence Penn. This album blends Keezer’s originals with compositions by his heroes, Chick Corea and Wayne Shorter. The trio’s performance highlights technical mastery and emotional depth, garnering enthusiastic audience applause.
Satoko Fujii and Natsuki Tamura’s album “Aloft” marks their ninth collaborative project, celebrating nearly thirty years together. Blending classical, rock, contemporary, traditional Japanese music, and American jazz, they produce original, improvised compositions. Each track offers intricate interplay, exemplified by “Migration” and “Wintering,” showcasing their profound musical understanding and spontaneity.
Natalie Jacob’s album “Sooner or Later” features her vocal prowess on ten jazz standards, highlighting her versatility and ability to improvise while staying true to original compositions. Accompanied by seasoned musicians, she demonstrates command in various styles and languages, offering renditions filled with energy and emotion. Available August 2, 2024.
Alex LoRe’s album “Motivity” features a chordless trio with Thomas Morgan on bass and Johnathan Blake on drums. Influenced by Lee Konitz, LoRe’s compositions are both innovative and nostalgic. The album includes interpretations of classics and original pieces, showcasing the trio’s technical prowess and cohesive sound. Reviewed by Dee Dee McNeil.
Omer Leshem’s album “PLAY SPACE,” featuring ten original compositions, showcases his cultural background and diverse influences, from Middle Eastern to European harmonies. The album, recorded with talented Israeli jazz musicians in Woodstock, New York, includes standout tracks like “Twilight Hymn,” “Take an Advil,” and “Cape Town Swag.” The music demonstrates great versatility, emotional depth, and vibrant performances. Reviewed by Dee Dee McNeil.
Andy James’ album “Let Me See Your Heart,” released by LeCoq Records, features a stellar ensemble of musicians and includes fresh takes on classics like “Take Five” and “Bali Ha’i.” James’ rendition of “New York State of Mind” is unique, while original compositions show mixed lyrical quality. The album debuts on August 9, 2024.
Jason Robinson’s album “Ancestral Numbers 1” explores his family history through music, blending jazz, experimental, and popular genres. Featuring musicians like Joshua White and Drew Gress, the album includes tracks like “Second House” and “Malachi,” illustrating Robinson’s lineage. The release promises two volumes, reflecting his genealogy in 2024.
Bill Banfield’s new album “Take Time to Listen” is a solo guitar tribute inspired by his father’s advice and dedicated to his mentors, Kenny Burrell and Earl Klugh. Notable for his symphonic and operatic compositions, Banfield’s new work showcases his skillful interpretations of classic jazz, pop, and R&B pieces.
Nation Beat, led by master percussionist Scott Kettner and saxophonist Paul Carlon, crafts a unique music blend without traditional rhythm sections, using only drums and horns. Their album features influences from Brazilian and American Southern cultures, with a diverse range of compositions and guest artists. The result is an engaging and joyful listening experience.
Elias Haslanger and Mike Sailors, long-time friends and jazz musicians, collaborate on an album blending bebop and blues influences. Recorded at Estuary Recording Studio in Austin, Texas, the album features original compositions and a Clifford Jordon cover. The release, praised for its energetic and soulful performances, is set for August 16, 2024.
Melinda Rose and Frenchy Romero showcase their decade-long musical partnership in their debut album “I’m On My Way.” The album features Rose’s emotive vocals and Romero’s brilliant piano techniques across various genres and includes original compositions. Their synergy, complemented by other talented musicians, delivers an engaging and memorable listening experience.
Natsuki Tamura and Jim Black’s album “NATJIM” on Libra Records is a reunion of two master musicians after 25 years, offering freewheeling, experimental music. Their improvised pieces like “Morning City” and “City of Night” explore varied themes and emotions, akin to a dynamic dialogue between trumpet and drums.
Veronica Thomas’s sophomore album, “They Say It’s Wonderful,” showcases her transition from her debut name, Nica Carrington, to her birth name. Recorded in Los Angeles with top jazz musicians, the album features twelve tracks, including standards like “Get Out of Town” and “Dindi.” John Proulx directed and accompanied her once again.
Eyal Vilner’s album “Swingin’ Uptown” vividly revives the big band music era of the 1920s to 1940s, blending six original compositions with timeless classics. Vilner, inspired by jazz dance and history, leads his ensemble with familial warmth, complemented by Imani Rousselle’s soulful vocals on tracks like “Tell Me Pretty Baby.”
Ron Rieder showcases his debut Latin Jazz album, featuring ten Afro-Cuban inspired compositions. Collaborating with skilled musicians, Rieder’s melodies are both memorable and dance-inducing. Key tracks include “Un Coco Loco,” “The Samba Moon,” and “St. John,” each highlighting various instrumental solos. The album exudes joy, rhythm, and liveliness, ensuring listener enjoyment.
Rob Parton’s Ensemble 9+ album “Relentless” features powerful, energetic performances with standout solos from a talented lineup of musicians. Highlights include a Latin spin on Freddie Hubbard’s “Straight Life,” and original compositions by Parton. The album, showcasing a mix of genres, reflects Parton’s rich musical heritage and current mentorship at UNT.
Jake Leckie’s third album, “Planter of Seeds,” showcases his compositions, featuring a quintet including guitar, piano, drums, tenor saxophone, and trombone. Melancholy and bright tunes highlight Goodfellow’s drums and Peled’s guitar prowess. The album explores themes of planting seeds for future beauty, with standout tracks like “Big Sur Jade” and “Clear Skies.”
Kiki Valera’s “Vacilón Santiaguero” is a vibrant album featuring an array of talented musicians and joyous, dance-inducing tracks. With strong vocals and spirited rhythms, the music celebrates Cuban culture. Valera, a veteran of La Familia Valera Miranda, delivers an album that transcends language barriers, exuding energy and joy, reviewed by Dee Dee McNeil.
Hyeseon Hong Jazz Orchestra’s album “Things Will Pass” is masterfully composed, showcasing a unique synthesis of Korean culture with American jazz. Each track, from “Road to Hana” to “We Will Meet Again,” features captivating solos and melodies, reflecting Hong’s innovative arrangements and the orchestra’s exceptional talent. Reviewed by Dee Dee McNeil.
Andromeda Turre’s album “From the Earth” merges spoken word with diverse musical elements, highlighting environmental activism and global unity. The tracks, enriched by master musicians, reflect her personal and profound connection with nature, inspired by a transformative trip to Iceland. This album intertwines impactful messages and innovative compositions, seeking connectivity and togetherness.
MONIKA HERZIG’S SHEROES: ALL IN GOOD TIME album features all-women band members, led by pianist and composer Monika Herzig. The album pays homage to Chick Corea and explores various compositions, including jazz and an arrangement of Beyoncé’s “(Girls) Run the World.” It highlights Herzig’s piano skills but suggests need for better arrangements.
Sharon Isbin and Amjad Ali Khan’s album “LIVE IN ASPEN” showcases a fusion of Flamenco guitar and Indian classical music. Isbin’s solo pieces celebrate Francisco Tarrega, while collaborative tracks with sarod players capture cultural and spiritual themes like “Sacred Evening” and “Romancing Earth.” This unique blend enchants with emotional and contemplative improvisations.
The Christopher Zuar Orchestra’s album “Exuberance” features compositions by Zuar and showcases a remarkable ensemble of musicians. Highlights include Drew Gress’s inspired bass solo in “In Winter Blooms” and Glenn Zaleski’s piano brilliance in “Communion.” The album reflects Zuar’s personal growth and emotional journey, enhanced by Anne Beal’s artistic contributions.
Nancy and Spencer Reed’s album “Happying” features their unique jazz vocal duo. Embracing bebop roots, they blend harmonies brilliantly, covering classics from “Cheerful Little Earful” to “Whisper Not”, and even adding a jazzy twist to Chicago’s “Does Anybody Really Know What Time It Is?”. Their musical chemistry and talented band create a refreshing, nostalgic experience.
